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Neue June

von Matt Chansky
Einzelschnitte ab $21.00 USD
25% Off
Komplette Familie mit 12 Fonts: $199.00 USD
Die Schriftfamilie Neue June wurde von Matt Chansky entworfen und von Matt Chansky veröffentlicht. Neue June enthält 12 Stile und Familienpaketoptionen.

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Über die Familie


Four years of development imbue Neue June with its uniquely crafted high x-height, enabling designers to literally and figuratively elevate layout designs. In today’s highly competitive brand marketplace, readability across communication platforms and memorability go hand in hand towards target audience retention. Neue June comes in six weights, from elegant thin to full-bodied emphatic bold, plus italics. You’ll find a robust selection of highly refined multilingual glyphs. In addition to a suite of ligatures, there are a number of extra characters, such as the estimated symbol, the number sign, and directional arrows. When the creative direction calls for sophisticated and memorable tactics—leverage the versatile 385 glyph count for big messages and easily consumable body copy.

Designer: Matt Chansky

Herausgeber: Matt Chansky

Foundry: Matt Chansky

Eigentümer des Designs: Matt Chansky

MyFonts Debüt: Aug 22, 2022

Neue June

Über Matt Chansky

Digital-first font foundry, specializing in universal, high x-height fonts with a Swiss flavor. Allowing designers to literally and figuratively level up their creative with finely crafted and versatile font families. Typography is a visual art and when used in branding – it has the ability to speak to and shape an audience. That is the foundry's mission, to empower visual communicators with elite memorable fonts to help distinguish brands. When typography is the language used to craft a brand tone, speak to me in fonts. My love of typography inspired me to begin making fonts, but it’s a passion for visual design that sustains me. As a brand lead, I've received nearly 40 individual awards and accolades since 2009, appearing in several design books and magazines. I've worked with brand name clients across a wide variety of business segments. With two decades of experience on the global advertising scene, I know what is needed from a font or a logotype. Qualities like memorability, readability on small screens, clean lines, and ample glyph options are hallmarks of my font families. Long live design, long live typography.

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