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Operetta

von Synthview
Einzelschnitte ab $34.00 USD
Komplette Familie mit 80 Fonts: $449.00 USD
Die Schriftfamilie Operetta wurde von Jan Tonellato entworfen und von Synthview veröffentlicht. Operetta enthält 80 Stile und Familienpaketoptionen.

Mehr über diese Familie

Operetta Complete Family

80 Fonts

Bestes Angebot!

pro Font:

$5.61 USD

Paket mit 80 Fonts:

$449.00 USD

Siehe 70 mehr Weniger sehen

Über die Familie


Operetta is a neo-didone display font family inspired on Bodoni, Didot (early 18th century) and Walbaum (19th century). Despite of this heritage, Operetta’s design meets contemporary taste and typesetting needs. With five optical sizes, masterfully navigate between contrast and legibility across various dimensions. The range of eight weights, from the weightless Extralight to the robust Extrabold, let you set your tone: from delicate to exuberant.

Operetta's generous character set and opentype features let you meet the most demanding layout needs. And don’t forget swashes, arrows and other extra glyphs, seldom included in a didonesque font.

The number displayed in the font family name signifies the recommended minimal print size in points. In web design you should double the minimum value for a retina screen, multiply by 4 for a 72dpi screen.

Of course its rendering depends on the printing support, screen resolution etc. Therefore, take it as a suggestion or a starting point; make your own trials.

And now, the pièce de résistance: Operetta unveils its italics, adding yet another layer of allure and sophistication.

Designer: Jan Tonellato

Herausgeber: Synthview

Foundry: Synthview

Eigentümer des Designs: Synthview

MyFonts Debüt: Jan 16, 2019

Operetta

Über Synthview

Synthview Type Design is the digital foundry of the Paris-based type designer Jan Tonellato. Our approach focuses on delivering elegant font families rich in styles, wide Latin coverage, stylistic variants, extra characters, and smart OpenType features to fit the most demanding graphic designers' needs with creativity and flexibility. We have also been contributing to the development of the type design application Glyphs since 2010.

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