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Rapid Writing

von Misprinted Type
Einzelschnitte ab $38.00 USD
Die Schriftfamilie Rapid Writing wurde von Eduardo Recife entworfen und von Misprinted Type veröffentlicht. Rapid Writing enthält 1 Stile.

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Über die Familie


Rapid Writing is based on the Rapid and Muscular Methods of writing, where the whole arm instead of the wrist is used to write. Copybooks and vertical writing fostered form at the expense of freedom. Speed and muscular movement have fostered freedom at the expense of form. This font is based upon form and movement and brings spontaneity and freedom to calligraphy! The font is full contrast, swashes, round forms, ligatures, contextual alternates and other surprises. OPENTYPE FEATURES • 34 Contextual Alternates • 32 Standard Ligatures • Several Stylistic Alternates (2 options for A-Z/0-9) • Ending Swashes (Each character (A-Z) has up to 12 swash endings) Not to mention the font has 710 glyphs. HOW TO USE THE ENDING SWASHES It’s very simple! Simply write the word+ > (greater symbol). For example: Typography> Typography>> Typography>>> etc. After each “>” you get a different ending swash for each character. So there are lot’s of different combinations and alternatives to suit your needs! The font also comes with a PDF Manual. If you have any questions, please get in touch at [email protected]

Designer: Eduardo Recife

Herausgeber: Misprinted Type

Foundry: Misprinted Type

Original Foundry: Misprinted Type

Eigentümer des Designs: Misprinted Type

MyFonts Debüt: Jun 6, 2018

Rapid Writing

Über Misprinted Type

Founded in 1998, Misprinted Type is a typography foundry dedicated to the imperfect, the tactile, and the beautifully flawed. Our work lives where the organic meets the digital, where ink bleeds, edges roughen, and letters breathe. We create grunge, calligraphic, and experimental typefaces that carry a sense of craft and emotion, bringing the texture of human touch within a digital medium. At Misprinted Type, mistakes aren’t errors; they’re character. Aesthetics guide everything we do, but it’s the imperfections that make our fonts truly alive.

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