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Abos und Preise

Sequel Geo

von OGJ Type
Einzelschnitte ab $35.00 USD
Sequel Geo Font Poster 1 Sequel Geo Font Poster 2 Sequel Geo Font Poster 3 Sequel Geo Font Poster 4 Sequel Geo Font Poster 5 Sequel Geo Font Poster 6 Sequel Geo Font Poster 7 Sequel Geo Font Poster 8 Sequel Geo Font Poster 9 Sequel Geo Font Poster 10 Sequel Geo Font Poster 11 Sequel Geo Font Poster 12 Sequel Geo Font Poster 13 Sequel Geo Font Poster 14
Die Schriftfamilie Sequel Geo wurde von Oliver Jeschke, Max Bill entworfen und von OGJ Type veröffentlicht. Sequel Geo enthält 120 Stile. Mehr über diese Familie
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Lizenzoptionen

Über die Familie

Sequel Geo is a geometric/neo-grotesque hybrid superfamily, influenced by formalized sans-serif typefaces from Germany and Swiss modernist type design—particularly Max Bill’s greek-styled lettering.


8 subfamilies and 120 individual fonts allow for a wide range of typographic expressions. Sequel Geo’s hallmark features, such as the circular “G” and punctuation, simple “t”, and two-story “a” turning one-story in bolder weights, persist throughout all styles. But it’s the formal and functional differences between subfamilies that let you really fine-tune your layouts.


The three optical sizes of the core collection, “Body Text”, “Headline”, and “Display”, boast optimized spacing for the intended use. “Extended” packs some extra punch with 18 display-oriented styles. Finally, 48 “Graphic” styles in 4 subfamilies push to the Geometric side, replacing horizontal and vertical stroke endings with angular ones, simplifying letterforms.


Sequel Geo is a journey through time and space. From 1920s Germany to 1950s Switzerland. All the while, its archetypal shapes are neutral yet confident, its appearance is classic.

Designer: Oliver Jeschke, Max Bill

Foundry: OGJ Type

MyFonts Debüt: Feb 17, 2022

Sequel Geo

Über OGJ Type

Berlin-based Oliver Jeschke of OGJ Type creates fonts for all designers who know that typeface selection is essential to high-quality typography. Deeply ingrained in the collection is the over-arching influence of Oliver’s time spent in Basel, Switzerland, and the work of Max Bill. The fastidious attention to detail and draughtsmanship in all of the fonts is immediately apparent. When chosen, any of them could act as a solid foundation for design systems, brand guidelines, or media campaigns.

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