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Carlomagno™ ND

von Neufville Digital
Einzelschnitte ab $29.60 USD
Die Schriftfamilie Carlomagno ND wurde von Ricardo Rousselot entworfen und von Neufville Digital veröffentlicht. Carlomagno ND enthält 1 Stile.

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Über die Familie


Carlomango is a typeface designed by Ricardo Rousselot. It maintains the characteristics of the Carolingian script while preserving legibility. It stands out for the realism of its strokes, which look as if they are handwritten, bringing freshness and authenticity to its applications.


Carlomagno is a Trademark of BauerTypes SL

Designer: Ricardo Rousselot

Herausgeber: Neufville Digital

Foundry: Neufville Digital

Eigentümer des Designs: Neufville Digital

MyFonts Debüt: May 6, 2003

Carlomagno™ ND is a Trademark of Bauer Types S.L. and used under license

Über Neufville Digital

Neufville Digital is a "joint venture", a collaborative project started in 1997 between BauerTypes, a Spanish company, and Visualogik Technology & Design of the Netherlands, to bring onto the international market typefaces for Macintosh and PC of the highest artistic and technical quality. BauerTypes is the successor of the prestigious typefoundries, Bauersche Giesserei (Bauer typefaces) and Fundición Tipográfica Neufville. During the 1970s, Neufville absorbed a series of firms from the trade, such as Ludwig & Mayer, Fonderie Typographique Française, Fundición Tipográfica Nacional and Fonderie Dib. In this way it acquired a rich collection of matrices for founding typefaces created by artists of international renown. One of the objectives of Neufville Digital is to put at user´s disposal typefaces that were previously only available in metal (see the "Collection Grafía Latina"). One of the most famous typefaces, Futura ND, has been totally redigitized. Finally, the "Modern Collection" offers typefaces by contemporary artists, such as Pragma ND by Christopher Burke and Fontana ND by Ruben Fontana. Thanks to the professional skills of Visualogik, Neufville Digital fonts reach a level of quality rarely achieved.

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