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FF Clan®

von FontFont
Einzelschnitte ab $65.99 USD
Komplette Familie mit 84 Fonts: $3,149.99 USD
Die Schriftfamilie FF Clan wurde von Łukasz Dziedzic entworfen und von FontFont veröffentlicht. FF Clan enthält 84 Stile und Familienpaketoptionen.

Mehr über diese Familie

FF Clan Pro Complete Collection

84 Fonts

Bestes Angebot!

pro Font:

$37.49 USD

Paket mit 84 Fonts:

$3,149.99 USD

Siehe 74 mehr Weniger sehen

Über die Familie


Polish type designer Lukasz Dziedzic created this sans FontFont between 2006 and 2008. The family has 84 weights, ranging from Thin to Ultra in Compressed, Condensed, Narrow, Medium, Wide, and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. FF Clan provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Designer: Łukasz Dziedzic

Herausgeber: FontFont

Foundry: FontFont

Eigentümer des Designs: FontFont

MyFonts Debüt: Nov 29, 2011

FF Clan® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Über FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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