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FF Info® Text

von FontFont
Einzelschnitte ab $75.99 USD
Komplette Familie mit 6 Fonts: $329.99 USD
Die Schriftfamilie FF Info Text wurde von Ole Schäfer, Erik Spiekermann entworfen und von FontFont veröffentlicht. FF Info Text enthält 10 Stile und Familienpaketoptionen.

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Über die Familie


German type designers Erik Spiekermann and Ole Schäfer created this sans FontFont between 1996 and 2000. The family has 10 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Info Text provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 1998, FF Info Text received the The Big Crit award. This FontFont is a member of the FF Info super family, which also includes FF Info Correspondence and FF Info Display.

Designer: Ole Schäfer, Erik Spiekermann

Herausgeber: FontFont

Foundry: FontFont

Eigentümer des Designs: FontFont

MyFonts Debüt: Jan 1, 2000

FF Info® Text is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Über FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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