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Einzelschnitte ab $20.00 USD
25% Off
Komplette Familie mit 48 Fonts: $300.00 USD
Die Schriftfamilie Pawl wurde von DC Scarpelli entworfen und von The Ampersand Forest veröffentlicht. Pawl enthält 48 Stile und Familienpaketoptionen.

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Über die Familie


Meet Pawl, an affordable 48-font squarish sans family with a little grotesque in him! Oh, you may think you’ve got him pegged at first glance, but he’ll surprise you with his versatility. AND he's just been totally refurbished from top to bottom and boy, did he need it!

Pawl lives in the same visual landscape as fantastic modular superfamilies like Eurostile, Agency, Geogrotesque, Barlow, and even the great American Gothics. Unlike those faces, though, he's nimble enough to switch between looks effortlessly. Pawl is energetic, aggressive, strident, and structural. Depending on how you use him, his voice can be retro, futuristic, industrial, or sleek. He can be sober or splashy, techy or oldschool. Use his alternate characters and stylistic sets to create looks ranging from Streamline Moderne to Futurism to Brutalism to Swiss. He works from small paragraphs all the way up to monumental signage. This guy is smart and useful, with a lotta looks!

How many times have you needed multiple weights, styles, and widths for your hierarchy, but standard type families were either shockingly expensive or couldn't deliver? Pawl delivers. Give him a shot!

Designer: DC Scarpelli

Herausgeber: The Ampersand Forest

Foundry: The Ampersand Forest

Eigentümer des Designs: The Ampersand Forest

MyFonts Debüt: Sep 2, 2020

Pawl

Über The Ampersand Forest

The Ampersand Forest is DC Scarpelli. And probably vice versa. I am a wholly inveterate Type Nerd. I’ve been in love with letterforms my whole life, and, for 16 years, I taught type history, type design, and typography as a college professor. Type is voice, and I love giving people a voice. A variety of voices, actually, so that they can choose whichever one is best for them for a particular context. And I don’t just mean designers, either! Type’s for everyone, and every typeface has a purpose and context.For me, deliciousness—flavor—is key. Not all type has to be “good type,” whatever that means. It should be designed with thought and care and craft. It should be supremely usable. But it should aim beyond usability toward (trust me: this is the right word) yumminess.

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