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Abos und Preise

Telegramo

von Volcano Type
Einzelschnitte ab $35.00 USD
Komplette Familie mit 9 Fonts: $255.00 USD
Telegramo Font Poster 1
Die Schriftfamilie Telegramo wurde von Laurenz Feinig entworfen und von Volcano Type veröffentlicht. Telegramo enthält 9 Stile und Familienpaketoptionen.

Mehr über diese Familie

Telegramo Complete

 9 Fonts

Bestes Angebot!

pro Font:

$28.33 USD

Paket mit 9 Fonts:

$255.00 USD

Kaufoptionen

Telegramo C Set

 3 Fonts

pro Font:

$30.00 USD

Paket mit 3 Fonts:

$90.00 USD

Kaufoptionen

Telegramo B Set

 3 Fonts

pro Font:

$30.00 USD

Paket mit 3 Fonts:

$90.00 USD

Kaufoptionen

Telegramo A Set

 3 Fonts

pro Font:

$30.00 USD

Paket mit 3 Fonts:

$90.00 USD

Kaufoptionen
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Über die Familie

Telegramo is modeled on a historic telegraph from Belgrade to Vienna 1914. The original archetypal character set consists of lowercase letters and numerals only. Uppercase letters and special characters were added after careful research. Contact pressure variations of the rudimentary type writing machine are directly imitated in the three weights: the regular weights edges are sharp, medium edges are rounded and the bold letters can nearly be called soft. Since the original typeface did not seem perfectly suitable for modern desktop publishing purposes, two additional stylistic sets were created for each weight, improving certain issues in rhythm, legibility and quirkiness.

Designer: Laurenz Feinig

Herausgeber: Volcano Type

Foundry: Volcano Type

Eigentümer des Designs: Volcano Type

MyFonts Debüt: Jan 20, 2011

Telegramo

Über Volcano Type

Volcano Type is a independent font foundry based in Karlsruhe, Germany. The first course: a fast food youthfulness that was served for the first time in 1996. An earthy dish, created by chance, with thirteen organic fonts. Quickly whisked up and devoured. It rarely took more than a few days from sketch to use/digestion by the project. Uncouth forms, erupted from the bowels of the earth. Shattered letters, branded, stressed, humiliated. In order to produce arrogant fonts, far too expressive to last on a page of copy text. Quite indisputably from nature. Still roughly hewn. Raw. Imperfect. The second course formed a strong contrast: tight concept, linear work, disciplined preparation. In most cases the font was formed by a matrix. Digital cool, sober, reduced. Plenty of free scope, like chess: the board is always the same, the moves always different. Classic openings are followed by unfamiliar variants. Competitive games. Finely nuanced movements. Carefully thought out, one masterminded brainchild after another. Dessert: mathematical severity is rounded off and smoothed down. Fonts between digital and analogue. Straightened rivers - the surfaces of our times.

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