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Anduaga

par Tipo Pèpel
Licences à partir de $18.00 USD
Famille complète de 2 polices: $18.00 USD
La famille de polices Anduaga a été conçue par Josep Patau et publiée par Tipo Pèpel. Anduaga contient 4 styles et options de package familial.

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Anduaga

2 polices

Meilleure offre!

  • Anduaga

  • Anduaga Ornaments

Par style :

$9.00 USD

Paquet de 2 styles:

$18.00 USD

Anduaga

2 polices
  • Anduaga

  • Anduaga Ornaments

Par style :

$9.00 USD

Paquet de 2 styles:

$18.00 USD

À propos de la famille


The Anduaga typeface is the interpretation of the calligraphy that Joseph Anduaga proposed for teaching the first letters in the book published in 1780 Arte de escribir por reglas y sin Muestras... printed in the Imprenta Real in Madrid. Anduaga proposed a system based in composition rules that broke with the imitation models prevailing at that time. This font is accompanied by a set of ornaments extracted from Spanish editions of the second half of XVIII Century.

Concepteurs: Josep Patau

Éditeur: Tipo Pèpel

Fonderie: Tipo Pèpel

Maître d'ouvrage: Tipo Pèpel

MyFonts débout: Jul 19, 2011

Anduaga

À propos Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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