Accéder au contenu principal
  • USD ($)
  • GBP (£)
  • EUR (€)
  • AUD ($)
  • JPY (¥)
  • BRL ($)
  • CAD ($)
  • NZD ($)
  • EN - English (UK)
  • DE - Deutsch
  • FR - Français
  • ES - Español
  • PT - Português
S'abonner

ARB 66 Neon

par The Fontry
Licences à partir de $25.00 USD
Famille complète de 24 polices: $25.00 USD
ARB 66 Neon Font Poster 1 ARB 66 Neon Font Poster 2 ARB 66 Neon Font Poster 3 ARB 66 Neon Font Poster 4 ARB 66 Neon Font Poster 5
La famille de polices ARB 66 Neon a été conçue par Alf R. Becker, Michael Gene Adkins et publiée par The Fontry. ARB 66 Neon contient 24 styles et options de package familial.

En savoir plus sur cette famille

ARB 66 Neon

 24 polices

Meilleure offre!

  • ARB 66 Neon Inline JUN-37 CAS Bold

  • ARB 66 Neon Inline JUN-37 CAS Bold

  • ARB 66 Neon Inline JUN-37 DTP Bold

  • ARB 66 Neon Inline JUN-37 DTP Bold

  • ARB 66 Neon Strunked JUN-37 CAS Normal

  • ARB 66 Neon Strunked JUN-37 CAS Normal

  • ARB 66 Neon Strunked JUN-37 DTP Normal

  • ARB 66 Neon Strunked JUN-37 DTP Normal

  • ARB 66 Neon Stance JUN-37 CAS Normal

  • ARB 66 Neon Stance JUN-37 DTP Normal

  • ARB 66 Neon Inline JUN-37 CAS Normal Italic

  • ARB 66 Neon Inline JUN-37 CAS Normal Italic

  • ARB 66 Neon Blank JUN-37 DTP Normal

  • ARB 66 Neon Blank JUN-37 DTP Normal

  • ARB 66 Neon Inline JUN-37 DTP Normal Italic

  • ARB 66 Neon Blank JUN-37 CAS Normal

  • ARB 66 Neon Line JUN-37 DTP Normal

  • ARB 66 Neon Line JUN-37 DTP Normal

  • ARB 66 Neon Inline JUN-37 CAS Normal

  • ARB 66 Neon Inline JUN-37 CAS Normal

  • ARB 66 Neon Inline JUN-37 DTP Normal

  • ARB 66 Neon Inline JUN-37 DTP Normal

  • ARB 66 Neon Line JUN-37 CAS Normal

  • ARB 66 Neon Line JUN-37 CAS Normal

Par style :

$1.04 USD

Paquet de 24 styles:

$25.00 USD

Options d'achats
Voir 14 plus Voir moins
Ajouter à l'album
Ajouter aux favoris

Options de licence

À propos de la famille

Beginning in January, 1932, Becker, at the request of then-editor E. Thomas Kelly, supplied SIGNS of the Times magazine’s new Art and Design section with an alphabet a month, a project predicted to last only two years. Misjuding the popularity of the “series,” it instead ran for 27 years, ending finally two months before Becker’s death in 1959, for a grand total of 320 alphabets, a nearly perfect, uninterrupted run. In late 1941, almost ten years after the first alphabet was published, 100 of those alphabets were compiled and published in bookform under the title, “100 Alphabets,” by Alf R. Becker. As published in June, 1937, this is the description that accompanied Becker’s 66th alphabet, Neonline: NEONLINE, alphabet No. 66 in Alf R. Becker’s SIGNS of the Times series, is a very bold, modern style for feature display lettering. Care should be taken in the laying out of this alphabet, and every letter should be made as bold as possible. Well that was a bit of an understatement! Fortunately, this font pak isn't understated. After the main Neon font was finished, a ton of work went into developing alternate character ranges, a second neon effect, a layering option accessible via the styles menu, and two supplemental fonts for the headlining and text chores. And did I mention the extensive kerning? The finished result is a handy little family that can tackle of wide variety of design needs. Many font designers have tackled the task of taking Becker’s incredible achievement from paper to digital, and many claim to treat his work with care and dignity. But the Fontry’s Becker fonts remain the most historically accurate and viable treatments available, arriving in two industry-satisfying versions: CAS (Computer-Aided Signmaking) and DTP (Desktop Publishing).

Concepteurs: Alf R. Becker, Michael Gene Adkins

Éditeur: The Fontry

Fonderie: The Fontry

Maître d'ouvrage: The Fontry

MyFonts débout: Jan 11, 2011

ARB 66 Neon

À propos The Fontry

When foundry's were making steel and fonts were but a molten dream ... well, we don't go that far back! But that's how we came up with the name for The Fontry. Spun into existence in 1992 by James L. Stirling and Michael Gene Adkins, The Fontry owes its origins to lots and lots of years working around screenprint shops and the signmaking business, influences that translate clearly into our font designs. It stands to reason then that many of our typographic efforts reflect the needs of those industries. Not ones to wimp around with frilly type, many of our fonts exude the strength you've come to expect from any font that dares to call itself a display face. No typesetting lots of tiny text with any of our fonts! And our inspiration covers the gamut, from full-on customs to period revivals. But no matter the origins, we pride ourselves on taking care of the details, from the nudge-fussiest node positioning to the single-digit kerning adjustments. Every Fontry font has over 40 hours of work in it, and we like to think it shows. At least we hope it shows--really! So for fonts that really fill the space, we're the foundry guys you wanna try!

En savoir plus

Lire moins