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Atwic Cyrillic

par Caron twice
Styles individuels à partir de $150.00 USD
Famille complète de 19 polices: $750.00 USD
La famille de polices Atwic Cyrillic a été conçue par Martin Činčár et publiée par Caron twice. Atwic Cyrillic contient 19 styles et options de package familial. En savoir plus sur cette famille

À propos de la famille


Atwic Cyrillic is a clean, simple sans serif typeface whose character aligns with Frutiger, Gill Sans, and Segoe. Today, the sans serif is a modern staple and arguably the defining visual language of contemporary text communication. Containing more than 2,000 characters, Atwic Cyrillic supports two writing systems: Latin and Cyrillic. It also covers Vietnamese, Pan-African Latin, the International Phonetic Alphabet (IPA), Bulgarian Cyrillic, national currency and cryptocurrency symbols, and pictograms (icons). Atwic Cyrillic is well suited for neutral, universal use across both print and digital media. It performs reliably in posters, headlines, brand identities, websites, mobile apps, and wayfinding systems. For continuous text, we recommend the Regular and Bold styles; the high x-height and open endstrokes ensure good readability at smaller point sizes and when viewed from a distance. For larger point sizes, such as in posters and headlines, we recommend the Light and Black styles. Atwic Cyrillic includes a range of style alternatives. Italics and Reverse Italics. A full phonetic alphabet, used in dictionaries to transcribe pronunciation. These features are complemented by a set of pictograms that support information navigation and can be used in website interfaces, chats, music and video players, wayfinding systems in buildings, and even as expressions of a brand’s values.

Concepteurs: Martin Činčár

Fonderie: Caron twice

MyFonts débout: Mar 1, 2026

Atwic Cyrillic

À propos Caron twice

Caron Twice. Twice the care. Hi, I’m Martin Činčár, the founder of Caron Twice Fonts. In typography, this mark ˇ is called a caron. There are two of them in my last name, hence Caron Twice. These diacritics are very typical for Czech, which is where I come from. Yet as a designer I have often found myself mid-project, with a font that looked perfect, only to discover it had no support for my language or fell apart when the letterforms actually mattered. That is what Caron Twice is about. For over eight years I have been making typefaces the slow way. No quick releases chasing trends but functional, timeless typefaces crafted with deep linguistic and typographic expertise. Every glyph, every diacritic, every script designed with an understanding of not just how a letterform looks, but how it behaves across forty-seven Latin languages, Cyrillic, Greek and Hebrew. Every font here reflects that. More at www.carontwice.com

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