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Boxed

par Tipo Pèpel
Styles individuels à partir de $18.00 USD
Famille complète de 18 polices: $98.00 USD
La famille de polices Boxed a été conçue par Josep Patau et publiée par Tipo Pèpel. Boxed contient 18 styles et options de package familial.

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À propos de la famille


Boxed typography is a new and extensive 18 weight typeface, brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. Due to its extensive range of weights and subtle difference in thickness, compensating for the stain of characters between different CSS styles is really easy. It offers an extensive set of Latin characters, even the Cyrillic.

Concepteurs: Josep Patau

Éditeur: Tipo Pèpel

Fonderie: Tipo Pèpel

Maître d'ouvrage: Tipo Pèpel

MyFonts débout: Feb 27, 2013

Boxed

À propos Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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