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Broadside

par Device
Styles individuels à partir de $39.00 USD
Famille complète de 56 polices: $1,139.00 USD
Broadside Font Poster 1 Broadside Font Poster 2 Broadside Font Poster 3 Broadside Font Poster 4 Broadside Font Poster 5 Broadside Font Poster 6 Broadside Font Poster 7 Broadside Font Poster 8 Broadside Font Poster 9 Broadside Font Poster 10 Broadside Font Poster 11 Broadside Font Poster 12
La famille de polices Broadside a été conçue par Rian Hughes et publiée par Device. Broadside contient 56 styles et options de package familial.

En savoir plus sur cette famille

Broadside Complete Family

 56 polices

Meilleure offre!

Par style :

$20.33 USD

Paquet de 56 styles:

$1,139.00 USD

Options d'achats
Voir 46 plus Voir moins

Broadside Essentials Pack

 18 polices

Par style :

$22.16 USD

Paquet de 18 styles:

$399.00 USD

Options d'achats
Voir 8 plus Voir moins

Broadside Text

 14 polices

Par style :

$22.78 USD

Paquet de 14 styles:

$319.00 USD

Options d'achats
Voir 4 plus Voir moins

Broadside Normal Pack

 14 polices

Par style :

$22.78 USD

Paquet de 14 styles:

$319.00 USD

Options d'achats
Voir 4 plus Voir moins

Broadside Extended pack

 14 polices

Par style :

$22.78 USD

Paquet de 14 styles:

$319.00 USD

Options d'achats
Voir 4 plus Voir moins

Broadside Condensed Pack

 14 polices

Par style :

$22.78 USD

Paquet de 14 styles:

$319.00 USD

Options d'achats
Voir 4 plus Voir moins
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Options de licence

À propos de la famille

Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their UK counterparts, designed by such luminaries as Abram Games or Tom Eckersley, are more stylistically diverse. Even though no single model is available to base a digitisation on, there are certain recurring stylistic quirks that give the type its unique flavour, and so the most interesting examples from several sources were be combined for the final family. Alternate short descenders, allowing for tighter line spacing, can be toggled on or off in the Opentype panel of Indesign or Illustrator. Tabular and lining numerals and a single-story ‘a’ are also available in all weights and styles.

Concepteurs: Rian Hughes

Éditeur: Device

Fonderie: Device

Maître d'ouvrage: Device

MyFonts débout: Mar 14, 2018

Broadside

À propos Device

Device Fonts is the font arm of Rian Hughes’ Device studio, based in West London. An early contributor to FontShop’s FontFont range, Device Fonts was launched in 1997 to carry Hughes’ growing library. It has since released over 250 original typefaces covering more than 1500 individual weights, including custom designs for clients as diverse as Mac User, 2000AD and The Teenage Mutant Ninja Turtles. Rian studied at the London College of Communication in London before working for an advertising agency, Smash Hits, i-D magazine and a series of record sleeve design companies. Under the studio banner Device, he now provides design, custom type and illustration for advertising campaigns, record sleeves, book jackets, graphic novels and television. He has designed posters for Tokyo fashion company Jun Co.’s Yellow Boots chain, the animated on-board safety film for Virgin Airlines, Eurostar’s poster campaign, a collection of Hawaiian shirts, a range of watches for Swatch, an award-winning brochure for MTV Europe’s Music Awards, and numerous book jacket illustrations and CD covers. He has designed hundreds of logos for DC, Marvel, Valiant, Image and other comic book companies for such titles as Batman, the X-Men, James Bond, The Avengers and Spider-Man. Long connected with the world of comics, Rian Hughes' first graphic novel was The Science Service for Belgian publisher Magic Strip. This was followed by Dare for IPC’s short-lived Revolver, an “iconoclastic revamp of the ’50s comic hero Dan Dare”, written by Grant Morrison. His strips from the Galaxy’s Greatest have been collected in Yesterday’s Tomorrows (Dare, Really and Truly plus others) and Tales from Beyond Science (written by Mark Millar, John Smith and Alan McKenzie). More recently he wrote and drew a Batman: Black and White tale, contributed to Vertigo: Magenta, designed the map of the DC Multiverse and was reunited with Morrison for several stories in Heavy Metal magazine. He has contributed to numerous international exhibitions, lectured widely both in the UK and internationally, and a one-man show of his work was held in 2003 the Conningsby Gallery, London. A retrospective monograph, Art, Commercial was published in 2002, and Ten Year Itch, a celebration of the first ten years of Device Fonts, was published in 2005. Other books include https://www.amazon.co.uk/Typodiscography-Rian-Hughes/dp/1910870048">Typodiscography , Custom Lettering of the 20s and 30s, and the all-ages wordless graphic novel I Am A Number. Soho Dives, Soho Divas collects his burlesque drawings, and he sets out his memetics manifesto in Cult-Ure: Ideas Can Be Dangerous. A collection of his logo designs, https://www.amazon.co.uk/Logo-gogo-Branding-Pop-Culture/dp/0993337422">Logo a Gogo was released in 2018 by Korero Press. More recently he has published three novels which incorporate design and typography as an integral part of the narrative: XX, The Black Locomotive and The Absence. He has an extensive collection of Thunderbirds memorabilia, a fridge full of vodka, and a stack of easy listening albums which he plays very quietly. The Premium foundry page can be viewed Here.

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