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Chupada

Chupada

par Tipo Pèpel
Styles individuels à partir de $14.00
Famille complète de 10 polices: $69.00
Chupada Font la famille était conçu par Josep Patau et publié par Tipo Pèpel. Chupada contient 10 styles et des offres familiales.

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À propos de la famille Chupada Police


Chupada est une famille ultra-condensée police qui se distingue par sa hauteur x exagérée. Elle se compose de cinq graisses différentes, accompagnées de leur version italique. Elle contient tous les caractères d'Europe centrale et le cyrillique. Chupada, avec ses formes semi-modulaires audacieuses, est idéal pour les titres, les affiches, les titres et tous les endroits où il faut créer un impact.

Concepteurs : Josep Patau

Éditeur : Tipo Pèpel

Fonderie : Tipo Pèpel

Maître d'ouvrage : Tipo Pèpel

MyFonts débout : 31 janvier 2012

Chupada

À propos Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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