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Daily Sans

par Up Up Creative
Styles individuels à partir de $15.00 USD
Famille complète de 20 polices: $79.00 USD
La famille de polices Daily Sans a été conçue par Julie Green et publiée par Up Up Creative. Daily Sans contient 20 styles et options de package familial.

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À propos de la famille


Introducing Daily Sans, a complete sans serif font family with 10-weights, plus italics (20-fonts total).


Daily Sans was designed to be an everyday-use geometric typeface with excellent legibility and a neutral tone. It's a perfect go-to for branding, web, and print design projects and can stand out on its own or play a supporting role in font pairings. It’s great for body/paragraph type as well as for larger display type.


Because the goal was to create a font you can truly use for any project, purpose, or occasion, Daily Sans includes a wide range of weights starting from the very thin Hairline all the way through to the very bold Heavy. This means that you’re always able to find just the right weight for your needs, and it makes creating type hierarchies a breeze.


Daily Sans comprises 20 fonts, each with approximately 450 glyphs - including 16 standard and discretionary ligatures, three ampersand variants, a full set of arrows, and more - and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.)


PLEASE ENJOY! I can't wait to see what you make with Daily Sans. Feel free to use the #upupcreative and #dailysansfont tags to show me what you've been up to.

Concepteurs: Julie Green

Éditeur: Up Up Creative

Fonderie: Up Up Creative

Maître d'ouvrage: Up Up Creative

MyFonts débout: Jun 3, 2022

Daily Sans

À propos Up Up Creative

Hello! I'm Julie Green. I letter, draw, code, and design fonts (and other things) under the studio name Up Up Creative. If anyone (including me) had known that a font designer was something you could be, like, for a job, then surely we'd all have predicted this. As it was, my only real nickname growing up was Julie Twelve (as in Times 12, the font we all had to use on our papers in high school) since people said my handwriting should be a font in Word).As a designer, I got my start in college, where I studied visual communication from a social science perspective and started creating really stellar early-web websites. Nothing I made back then ever blinked or anything, but let's just say there was a lot of joy when I first discovered roll-over images.For a short time, I worked as an IT consultant and learned to program in Java, C++, and other languages. Then for a long time I went to graduate school in English, getting about halfway through my dissertation before I realized that academia was not the long-term place for me. That's when I finally put my right brain and left brain passions together, took ALLLLLLL that stuff I had learned about visual communication and rhetoric and communication and planning and pathfinding, and became a freelance graphic designer and entrepreneur. I started Up Up Creative in 2008 and have never looked back.Perhaps the coolest way I combine my creative and analytical sides is through font design. I released my first font, Bundt Cake, in 2015, and since then I've only fallen more and more in love with the process of creating useful, beautiful typefaces with robust OpenType features.My graphic design work has been featured in Martha Stewart Living, BRIDES Magazine, Apartment Therapy, Design Milk, Decor8, and elsewhere.

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