Accéder au contenu principal
  • USD ($)
  • GBP (£)
  • EUR (€)
  • AUD ($)
  • JPY (¥)
  • BRL ($)
  • CAD ($)
  • NZD ($)
  • EN - English (UK)
  • DE - Deutsch
  • FR - Français
  • ES - Español
  • PT - Português
S'abonner

Evanston Tavern

par Kimmy Design
Styles individuels à partir de $5.00 USD
Famille complète de 61 polices: $99.00 USD
Evanston Tavern Font Poster 1 Evanston Tavern Font Poster 2 Evanston Tavern Font Poster 3 Evanston Tavern Font Poster 4 Evanston Tavern Font Poster 5 Evanston Tavern Font Poster 6 Evanston Tavern Font Poster 7 Evanston Tavern Font Poster 8 Evanston Tavern Font Poster 9 Evanston Tavern Font Poster 10 Evanston Tavern Font Poster 11 Evanston Tavern Font Poster 12 Evanston Tavern Font Poster 13 Evanston Tavern Font Poster 14 Evanston Tavern Font Poster 15
La famille de polices Evanston Tavern a été conçue par Kimmy Kirkwood et publiée par Kimmy Design. Evanston Tavern contient 61 styles et options de package familial.

En savoir plus sur cette famille

Evanston Tavern Complete Family

 61 polices

Meilleure offre!

Par style :

$1.62 USD

Paquet de 61 styles:

$99.00 USD

Options d'achats
Voir 51 plus Voir moins

Evanston Tavern Stencil

 20 polices

Par style :

$3.00 USD

Paquet de 20 styles:

$60.00 USD

Options d'achats
Voir 10 plus Voir moins

Evanston Tavern Inline

 20 polices

Par style :

$3.00 USD

Paquet de 20 styles:

$60.00 USD

Options d'achats
Voir 10 plus Voir moins

Evanston Tavern Black

 20 polices

Par style :

$3.00 USD

Paquet de 20 styles:

$60.00 USD

Options d'achats
Voir 10 plus Voir moins
Ajouter à l'album
Ajouter aux favoris

Options de licence

À propos de la famille

Evanston Tavern is a square typeface and the sans-serif version to Evanston Alehouse. Inspired by the years that prefaced the ratification of the American Prohibition, this typeface mimics the signage commonly seen outside of saloons, taverns and alehouses during that time. Back to the modern era, Evanston Tavern is more than just a vintage inspired typeface. It works in modern and futuristic settings with multiple styles, opentype alternatives and ornamentation. The family provides a robust 61 total fonts, within it's 3 styles of regular, stencil and inline. Each sub family includes 4 weights and 5 widths. It has special features that add depth to the typeface, with discretionary ligatures and stylistic alternatives. It also includes a complimentary set of ornaments, including a vintage graphic set from the era, as well as modern frames, borders and icons. This typeface works great at logos, packaging, and other display settings. Pair this font with Evanston Alehouse and have a great combination of serif and sans-serif square letterforms and a large array of ornaments! Here’s a snapshot of what you get with Evanston Tavern: - 3 Styles: Regular, Stencil and Inline - 4 Weights: Light, Regular, Medium and Black - 5 Widths: 1826 (condensed), 1846 ( narrow) 1858 (regular), 1893 (wide) and 1919 (expanded) - 2 capital Heights: Capitals and small caps - 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives - 1 Ornaments font with over 100 graphic extras

Concepteurs: Kimmy Kirkwood

Éditeur: Kimmy Design

Fonderie: Kimmy Design

Maître d'ouvrage: Kimmy Design

MyFonts débout: Jun 11, 2019

Evanston Tavern

À propos Kimmy Design

“Kimmy Design is based out of Santa Monica, CA, but it’s as mobile as I am,” Kimmy Kirkwood says. “I love finding new inspiration and I work from Seattle, Palm Springs, Santa Monica, or wherever the next adventure takes me!” Kimmy founded her company in 2010; the same year that she graduated from college. Her first typeface, Madeleine, which is based on a logotype that she had created for a hotel in Positano, Italy, was actually a part of one of her final collegiate projects. She used it as an opportunity to teach herself about the intricacies of type design and develop the programming skills needed to create a true working font. Since then, her most successful designs have included Lunchbox and Lunchbox Slab: quirky hand-drawn typefaces that give an incredible array of customizable options and an authentically hand-crafted look. “My goal with these,” she says, “was to make them unique enough that the end product from any designer would look as if it was all made by hand.” “I love organic typefaces. Creating something that looks naturally handcrafted and letting the customers make it their own. In every hand drawn family I make I include multiple weights, styles and variations.” Kimmy uses contextual alternates in her typefaces and typically creates 3-5 variations of each letter, giving her fonts a truly hand-lettered feel. “I also usually include stylistic alternatives, which range from creating simple variations on specific letters to a unique style alternative for every character. Small Caps are a great way to give more options to designers while keeping the width and size of the font consistent. All of my font families are multilingual, and many include full Cyrillic and Greek alphabets. Whenever possible, I always include some sort of swash - either in fancy capitals, at the beginning and end of characters, or stylistic swashes.” All of these customizable options give the young designer’s families an intimate, personal feel. “Two different people could use my font and create something totally unique from one another. That’s what makes them so fun to use!”

En savoir plus

Lire moins