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Fibra One

par Los Andes
Styles individuels à partir de $26.00 USD
Famille complète de 32 polices: $199.00 USD
La famille de polices Fibra One a été conçue par Jorge Cisterna et publiée par Los Andes. Fibra One contient 32 styles et options de package familial.

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À propos de la famille


Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall structure of Fibra and influence of the Avant Garde font, its shapes are different from those found in its predecessor—Fibra One features both soft corners and smooth transition between curved and straight sections. This gives the font a more dynamic and playful personality. Fibra One keeps the original contrast between curves and straight lines in glyphs such as ’n’ and ‘h’ (not found in rounded glyphs such as ‘a’ and ‘d’); details of display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra One a strong personality—a typeface that ‘gives you the chills’. Fibra One was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra One comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Concepteurs: Jorge Cisterna

Éditeur: Los Andes

Fonderie: Los Andes

Maître d'ouvrage: Los Andes

MyFonts débout: Jan 17, 2018

Fibra One

À propos Los Andes

Located in Concepción, Chile, Los Andes was established in 2011 by Daniel Hernandez, Miguel Hernandez and Luciano Vergara as a spin-off of LatinoType. Their goal was simple: to make typefaces that would simplify the job of the designers who used them. The young foundry published its first typeface, Pantano, that same year and the rest, as they say, is history. With talented designers such as Mendoza Vergara, Daniel Hernández, Luciano Vergara, and Miguel Hernández in its ranks, Los Andes has created a library full of vast variations including everything from bestselling headliner typefaces like Darwin to grunge-inspired rustic families like Pantano. “Our typefaces tell stories,” Luciano says, “we are inspired by travel, nature, experiences and tastes when we design typefaces.” One of their more recent releases, Garden, was inspired by the cheerful and warm people the designers encountered when visiting Brazil in 2013. A young foundry with a wide range of talents and endless inspiration, keep an eye out for more typefaces from Los Andes!

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