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Ghetto Blazter

par Indotype
Styles individuels à partir de $20.00 USD
Famille complète de 16 polices: $28.00 USD
La famille de polices Ghetto Blazter a été conçue par Frederik Aristaputra et publiée par Indotype. Ghetto Blazter contient 16 styles et options de package familial.

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À propos de la famille


Ghetto Blazter is a versatile sans-serif font that blends modern aesthetics with a touch of urban flair. Its rounded corners and dynamic letterforms create a friendly and approachable atmosphere, perfect for a variety of design projects.

Ghetto Blazter's unique feature lies in its ability to interlock words, creating visually interesting and dynamic compositions. With a vast array of alternates and ligatures, the possibilities for customization are endless. The font's rounded corners soften its appearance, making it more approachable and inviting. This, combined with its clean lines and contemporary design, ensures that Ghetto Blazter remains relevant in modern design trends.

A SUMMARY OF WHAT'S INCLUDED:

  • Standard Character A-Z, a-z, 0-9, Punctuation & symbols

  • 16 Styles Font

  • Various Alternates and Ligatures

  • Multilingual Support Accent and Diacritics

  • Works on PC & Mac

  • Simple installation

  • Accessible in Adobe Creative Suite (Ai, Ps, Id, etc.) even work on Microsoft Word.

  • PUA Encoded Characters – Fully accessible without additional design software.

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🌟If you come across any issues or notice anything we might have overlooked while using this product, please feel free to reach out to us. We greatly value your feedback as it helps us enhance and refine our products. Thank you!

Concepteurs: Frederik Aristaputra

Éditeur: Indotype

Fonderie: Indotype

Maître d'ouvrage: Indotype

MyFonts débout: Sep 20, 2024

Ghetto Blazter

À propos Indotype

Indotype is a type foundry based in Indonesia. Our goals is to push the boundaries of typeface design and explore new possibilities in the creative industry, by expand into new markets and reaching a wider audience. We believe in our mission to promote the use of typography in design and communication, we must be consistence in creating original and innovative work that is both beautiful and effective and able to express oneself creatively and explore new ideas.

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