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Grosse Pointe Metro

par GroupType
Styles individuels à partir de $19.00 USD
Famille complète de 6 polices: $79.00 USD
La famille de polices Grosse Pointe Metro a été conçue par William Addison Dwiggins et publiée par GroupType. Grosse Pointe Metro contient 6 styles et options de package familial.

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Grosse Pointe Metro Complete Family

 6 polices

Meilleure offre!

Par style :

$13.16 USD

Paquet de 6 styles:

$79.00 USD

Options d'achats
Ajouter à l'album
Ajouter aux favoris

Options de licence

À propos de la famille

GP Metro® is a faithful version of the Dwiggins 1930 urban classic: Metrolight, Metromedium, and Metroblack.


In 1929, English type designer, William Addison Dwiggins, (WAD) was commissioned by the Merganthaler Type Foundry to design a warmer, more humanistic, and less mechanical sans to effectively compete with Futura, a highly-popular geometric sans designed by Paul Renner in 1927 and first released by Meganthaler's arch-rival, the Bauer Type Foundry in Germany. FontHaus has licensed from GroupType updated files with additional styles including 2 rough versions and a soft together with the classic Regular styles and weights. These new styles will offer designers a wider range of options to design with these amazing classics.

Concepteurs: William Addison Dwiggins

Éditeur: GroupType

Fonderie: GroupType

Maître d'ouvrage: GroupType

MyFonts débout: Mar 24, 2009

Grosse Pointe Metro

À propos GroupType

GroupType is a foundry specializing in period and revival typeface designs. It is a subsidiary of FontHaus. From Aquiline, a period 16th century typeface to great revivals like Carpenter, Corvinus Skyline, Cloister Initials and Metro Sans, these typefaces also have great contemporary appeal as well as important historical roots. Use as headlines or drop caps mixed with your favorite text. If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in 1930. It's just as desirable today as it was over eighty years ago; arguably more. Today, Bank Gothic is a very popular choice as a titling face for science fiction books, posters and countless television and movie titles. It is also a popular typeface for use in computer games and digital graphics. GroupType’s 2010 revival of this American classic is true to the design, the period, and Benton’s aesthetic. GroupType worked with some of the most talented and experienced type designers that were historically grounded and sensitive to this design project. Fortunately, Mr. Benton has left us a large selection of other great typefaces for insight and guidance. GroupType’s new revival includes the original three weights in regular and condensed style but also a new small cap and lowercase in each font necessary for 21st century typography.

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