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IKN Anzo

par Ikosa Nona
Styles individuels à partir de $40.00 USD
Famille complète de 6 polices: $150.00 USD
La famille de polices IKN Anzo a été conçue par Andreas Eijerfors, Maria Fredman et publiée par Ikosa Nona. IKN Anzo contient 6 styles et options de package familial. En savoir plus sur cette famille

À propos de la famille


IKN Anzo is a condensed sans-serif with tall, narrow proportions and a controlled, space efficient structure. It allows more text to fit horizontally while maintaining a confident vertical presence. Ascenders, descenders, and diacritics are kept close to the core letterforms, creating a balanced and stable text block with an even typographic color. Six carefully balanced weights provide a range of typographic contrast. Stylistic sets add flexibility through alternate forms for capital I and single-story a, as well as a choice between straight or rounded shapes in selected letters, allowing designers to fine-tune the tone from strictly linear to subtly softer. Additional features such as circled numerals, slashed zeros, and arrows extend its use in editorial and graphic contexts. IKN Anzo is well suited for titles, headlines, packaging, branding, editorials, and applications where density, control, and a distinct contemporary presence are essential.

Concepteurs: Andreas Eijerfors, Maria Fredman

Fonderie: Ikosa Nona

MyFonts débout: Apr 7, 2026

IKN Anzo

À propos Ikosa Nona

Ikosa Nona is a Swedish type foundry founded by a creative duo with a shared focus on the aesthetic and human side of type. We design typefaces that balance personality with usability — distinctive fonts that are easy to work with. We blend modern form with traditional craftsmanship. Our work is rooted in thoughtful design and careful execution, shaped by a love of quality, function, and expressive form. We create fonts with a clear typographic voice — made to serve designers, brands, and cultural institutions who value both aesthetics and reliability. The name Ikosa Nona means “29,” a nod to the 29 letters of the Swedish alphabet. Just like those extra letters, we aim to add something both specific and universal — small differences that make a big impact. Every typeface we release is crafted with intent and refined with care, and we take pride in designing tools that not only look good, but work beautifully in real-world use.

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