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Styles individuels à partir de $17.00 USD
Famille complète de 2 polices: $32.00 USD
La famille de polices Kush a été conçue par Russell A. McGorman et publiée par Our House Graphics. Kush contient 2 styles et options de package familial.

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Kush Complete Family

2 polices

Meilleure offre!

Par style :

$16.00 USD

Paquet de 2 styles:

$32.00 USD

À propos de la famille


Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

Concepteurs: Russell A. McGorman

Éditeur: Our House Graphics

Fonderie: Our House Graphics

Maître d'ouvrage: Our House Graphics

MyFonts débout: May 6, 2011

Kush

À propos Our House Graphics

My name is Russell McGorman. I design typefaces, and this is my Foundry page... I have been making and publishing fonts since 2009. After graduating from the Ontario College of Art and Design, I went to work as a graphic artist and silk-screen printer at a small print shop in Toronto where I worked on a diverse range of projects, from museum displays and prop signage for film sets to control panels for oil rigs and power generating plants. After a few of years, of that I went on to work for a regional public transit agency, designing signage and special products and later as a wayfinding specialist and designer.I began designing and publishing typefaces in 2009 after being assigned the task of recommending ways to make the signage more accessible... Among all the possible paths to better signage for the purpose typography stands out, and on closer examination, of course, the type itself... This led me down a deep rabbit hole that began with the simple question, “How exactly do digital typefaces work, and how are they made?” This quickly progressed to designing and publishing my own growing catalogue of fonts, all of which are created with a passion for excellence and a love for the art and science of type.

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