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La Portenia™

par Sudtipos
Styles individuels à partir de $69.00 USD
Famille complète de 2 polices: $69.00 USD
La famille de polices La Portenia a été conçue par Alejandro Paul, Diego Giaccone, Angel Koziupa et publiée par Sudtipos. La Portenia contient 2 styles et options de package familial.

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La Portenia Complete Family

2 polices

Meilleure offre!

Par style :

$34.50 USD

Paquet de 2 styles:

$69.00 USD

À propos de la famille


La Portenia pays homage to the spirit of early 20th-century show card writers and type designers. This face has two variations: La Portenia de Recoleta is slightly more formal and polite, while La Portenia de la Boca has longer, more extravagant flourishes and indulges in more interletter space. This showier variant is reminiscent of signs found in Buenos Aires. Both have been designed by Diego Giaccone and Angel Koziupa, and engineered and expanded by Alejandro Paul.

Concepteurs: Alejandro Paul, Diego Giaccone, Angel Koziupa

Éditeur: Sudtipos

Fonderie: Sudtipos

Fonderie d'origine: Sudtipos

Maître d'ouvrage: Sudtipos

MyFonts débout: Jun 29, 2005

La Portenia™

À propos Sudtipos

Sudtipos is a new collective Argentinian type foundry. New blood, new attitude. A joint venture of four professional designers with lots of expertise in different areas like branding, packaging design, corporate identity, television and new media. “The foundry, or collective as we prefer to designate it, started because of that — packaging, editorial or brand designers making fonts for real designers” Alejandro Paul, one of the company’s founders, said in his Creative Characters interview. Alejandro “Ale” Paul made a name for himself drawing and programming some of the most intricate script fonts ever digitized. “My experience in branding product packaging was a natural catalyst for me to be interested in scripts and seek like-minded people for the collective.” The collective’s bestselling scripts include Bowling Script, Horizontes Script and Hipster Script Pro, which was named one of MyFonts’ most popular fonts of 2012, and was recognized by both Typographica and Type Directors Club that same year. “Our aim is to always be graphic designers making typefaces for graphic designers,” Ale said. “We try not to lose that particular focus. We’re always thinking about how to make a graphic designer’s work easier when it comes to using the type element in his or her design.” The Premium Foundry Page can be viewed Here.

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