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Mimeograph Template JNL

par Jeff Levine
Styles individuels à partir de $29.00 USD
Famille complète de 2 polices: $55.10 USD
La famille de polices Mimeograph Template JNL a été conçue par Jeff Levine et publiée par Jeff Levine. Mimeograph Template JNL contient 2 styles et options de package familial.

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À propos de la famille


Before ink jet and laser printers; before copy machines, the main way to make multiples of anything not provided by printing press was by a mimeograph machine or spirit duplicator. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. Based on a plastic lettering guide once manufactured by the A.B. Dick Company of Chicago, Mimeograph Template JNL is available in regular and oblique versions. Albert Blake Dick, the company’s founder, coined the term ‘mimeography’. The font’s character shapes follow the routed letters of the template, complete with rounded terminals. An earlier font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

Concepteurs: Jeff Levine

Éditeur: Jeff Levine

Fonderie: Jeff Levine

Maître d'ouvrage: Jeff Levine

MyFonts débout: Mar 29, 2019

Mimeograph Template JNL

À propos Jeff Levine

Jeff Levine has been in love with lettering since the third grade, when a schoolmate brought a lettering stencil into class. He has worked in both the graphics and music industries, and began his work with digital type via his own site, which hosted over one hundred free dingbat fonts until its retirement in 2009. Although these fonts were experimental at best, Jeff received "thank you" letters from points all over the world for making his designs available. Encouraged by these responses, Jeff decided to set his sights on creating interesting and commercially viable type fonts.

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