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Mirabelle™

par Magpie Paper Works
Styles individuels à partir de $14.00 USD
Famille complète de 4 polices: $56.00 USD
La famille de polices Mirabelle a été conçue par Jessica McCarty et publiée par Magpie Paper Works. Mirabelle contient 4 styles et options de package familial.

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Mirabelle Family

4 polices

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À propos de la famille


Mirabelle from Magpie Paper Works is a family of four hand-lettered fonts designed to coordinate with each other or stand alone as display faces. Each font was created with a felt-tipped pen & ink, and includes a full set of capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, and punctuation.

Concepteurs: Jessica McCarty

Éditeur: Magpie Paper Works

Fonderie: Magpie Paper Works

Maître d'ouvrage: Magpie Paper Works

MyFonts débout: Aug 28, 2013

Mirabelle™ is a trademark of Magpie Paper Works LLC.

À propos Magpie Paper Works

Nestled in rural North America, you’ll find the farmhouse that’s home to Magpie Paper Works. If the foundry’s owner and sole designer, Jessica McCarty, isn’t tucked inside designing typefaces, she’s more than likely out chicken wrangling and apple picking. Jessica left behind agency life in 2010, opting instead to create her own studio. Her first font, Saissant, a rough, kinetic calligraphy script, was a non-traditional typeface that was almost instantly very popular. “I created Saissant,” she says, “because I was working on a client’s project and needed a font that looked truly handmade and wild, only to discover that there weren’t really any options available at the time. I figured that if I couldn’t find what I was looking for, I should make it instead. The rest was history!” The self-taught designer approaches each project with a strong background in calligraphy and typographic illustration; a toolset that brings a hand-lettered feel to each of her typefaces. This is especially true for Jessica’s best selling font, Ondise: a calligraphy font with robust Opentype features and a warm, fresh and charming vibe. Jess says that she’s seen her fonts used in everything from logos and wedding invitations to West Elm catalogs and even in the movie adaptation of The Great Gatsby. “It’s wonderful to have full creative freedom,” she says, “and I adore collaborating directly with clients to help them get the most out of their font purchases.”

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