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Moriz

par Tipo Pèpel
Styles individuels à partir de $29.00 USD
Famille complète de 44 polices: $220.00 USD
La famille de polices Moriz a été conçue par Josep Patau Bellart et publiée par Tipo Pèpel. Moriz contient 44 styles et options de package familial.

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À propos de la famille


Geometric forcefulness in your hands, inspired by the aesthetics of the thirties, on the labels of the most famous spanish beer, Moriz. A tribute to success and purity of form.

Although its design is based on the idea of its main use in running text, hence the familiarity of its shapes and the generosity of its eye, which offers absolute legibility, we have given you the option of customizing your headlines by incorporating a large number of stylistic alternatives for the capital letters and for some of the lowercase letters. And as usual in this house, a complete set of small caps.

You will be able to play with its two axes, width and weight, to adapt to complex hierarchies in varied line widths and needs of arracades and highlights.

Concepteurs: Josep Patau Bellart

Éditeur: Tipo Pèpel

Fonderie: Tipo Pèpel

Maître d'ouvrage: Tipo Pèpel

MyFonts débout: Jul 22, 2025

Moriz

À propos Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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