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Ongunkan Gothic Family

par Runic World Tamgacı
Styles individuels à partir de $75.00 USD
Famille complète de 3 polices: $200.00 USD
La famille de polices Ongunkan Gothic Family a été conçue par Osman Nuri ALKAN et publiée par Runic World Tamgacı. Ongunkan Gothic Family contient 3 styles et options de package familial. En savoir plus sur cette famille

À propos de la famille


I completed the alphabet of the Gothic language in the Codex Argenteus manuscript, which took me approximately 3 months. Although there was a Unicode block assigned to the Gothic alphabet, the font caused a problem. When I added Unicode it constantly created an error. So I created a solution by removing the Unicode block from the font. These 3 fonts were created based on Latin. The manuscript is formatted in Modern thick and Modern thin. There are dozens of different spellings of letters in handwritten font. Friends who want to change the fonts can contact me. The Codex Argenteus (Latin for "Silver Book/Codex") is a 6th-century illuminated manuscript, originally containing part of the 4th-century translation of the Christian Bible into the Gothic language. Traditionally ascribed to the Arian bishop Wulfila, it is now established that the Gothic translation was performed by several scholars, possibly under Wulfila's supervision. Of the original 336 folios, 188 including the Speyer fragment discovered in 1970 have been preserved, containing the translation of the greater part of the four canonical gospels. A part of it is on permanent display at the Carolina Rediviva building in Uppsala, Sweden, under the name "Silverbibeln" (i.e. "The Silver Bible").

Concepteurs: Osman Nuri ALKAN

Fonderie: Runic World Tamgacı

MyFonts débout: Feb 25, 2026

Ongunkan Gothic Family

À propos Runic World Tamgacı

As my interest in rune writings grew, it became inevitable for me to make my own fonts. It was time to put all these years of hard work into action. This foundry, named Runic World Tamgacı, was prepared as a platform for the distribution of font studies developed on Old European Runic inscriptions, Old Asian Runic inscriptions, Old Hungarian Runic inscriptions, Runic inscriptions found in Africa and Arabian geography, and Italic inscriptions such as Etruscan and Iberian. These fonts, which have high aesthetic design and a full list of letters, will serve as a wide source especially for academic studies and amateur researchers, including derivative letters. It will also please enthusiasts interested in this field. The inventory of the foundry will be constantly updated and expanded with new additions to the fonts of these mysterious ancient inscriptions. These Runic studies were made from scratch by looking at the relevant sources.

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