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Penny Lane

par K-Type
Styles individuels à partir de $20.00 USD
Famille complète de 9 polices: $20.00 USD
La famille de polices Penny Lane a été conçue par Keith Bates et publiée par K-Type. Penny Lane contient 5 styles et options de package familial.

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À propos de la famille


PENNY LANE is a sans serif derived from twentieth-century cast-iron signs displaying Liverpool street names. Although the lettering used for vintage street signs varies in width and style, the semi-condensed Penny Lane Bold is fairly typical. The waist of letters like X and Y is positioned on the midline so may appear unusually high, the G is without a crossbar, and pointed characters like the Z might seem at odds with generally grotesque letter shapes. Penny Lane is a straightforward, usable sans that looks modern and has a fresh lowercase with a healthy x-height designed for clarity; the fonts have been inspired by street sign lettering rather than insensitively tied to historical accuracy. A full complement of Latin Extended-A characters is included. Four nameplate frames can be found within each font for designing faux street signs, and a blank nameplate jpeg is also supplied. Five fonts for the price of one – Regular, Italic, Bold and Bold Italic weights, and also a distressed Corroded Bold, made to simulate the roughness of cast and painted letters when creating reproduction signs.

Concepteurs: Keith Bates

Éditeur: K-Type

Fonderie: K-Type

Maître d'ouvrage: K-Type

MyFonts débout: May 30, 2014

Penny Lane

À propos K-Type

K-Type is a small, independent type foundry based in Manchester England, offering a unique range of high quality fonts which are modestly and simply priced for designers, small businesses and large organisations.In addition to creating new typefaces resulting from formal experimentation, many K-Type fonts show the influence of inspirational artists and designers, many exploring the mix of insular and eclectic that has forged the typographical landscape of Britain and America.K-Type is also keen to make affordable fonts from styles which possess cultural currency or an existing social presence, generally redrawn to include comprehensive character sets containing a full complement of Latin Extended-A glyphs. New, previously unavailable weights and italics are often designed and added.

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