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Pixel Grid

par Caron twice
Styles individuels à partir de $65.00 USD
Famille complète de 220 polices: $325.00 USD
La famille de polices Pixel Grid a été conçue par Martin Činčár et publiée par Caron twice. Pixel Grid contient 220 styles et options de package familial. En savoir plus sur cette famille

Pixel Grid Complete Family

220 polices

Meilleure offre!

Par style :

$1.47 USD

Paquet de 220 styles:

$325.00 USD

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À propos de la famille


Pixel Grid is a font that lets us know that we have entered the digital age. We know about grid systems from the very first computers and electronic LED boards. Pixel Grid offers three types of grid resolution as well as many incarnations of individual segments. It is an electronic game: characters can be animated, overlapped, and played with in different ways. If you need a font that is strictly technical in nature, you can use

tried-and-true square and round points. You can save ink by using them on receipts, for example, so the font can be used sustainably. Pixel Grid is suitable for engraving, or it can be used as a stencil. This complete font family aims to gain an extensive selection covering the early digital font style, facilitating the use of the style in professional applications today.


Specimen:

http://carontwice.com/files/specimen_Pixel_Grid.pdf

Concepteurs: Martin Činčár

Fonderie: Caron twice

MyFonts débout: Feb 23, 2021

Pixel Grid

À propos Caron twice

Caron Twice. Twice the care. Hi, I’m Martin Činčár, the founder of Caron Twice Fonts. In typography, this mark ˇ is called a caron. There are two of them in my last name, hence Caron Twice. These diacritics are very typical for Czech, which is where I come from. Yet as a designer I have often found myself mid-project, with a font that looked perfect, only to discover it had no support for my language or fell apart when the letterforms actually mattered. That is what Caron Twice is about. For over eight years I have been making typefaces the slow way. No quick releases chasing trends but functional, timeless typefaces crafted with deep linguistic and typographic expertise. Every glyph, every diacritic, every script designed with an understanding of not just how a letterform looks, but how it behaves across forty-seven Latin languages, Cyrillic, Greek and Hebrew. Every font here reflects that. More at www.carontwice.com

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