Accéder au contenu principal
  • USD ($)
  • GBP (£)
  • EUR (€)
  • AUD ($)
  • JPY (¥)
  • BRL ($)
  • CAD ($)
  • NZD ($)
  • EN - English (UK)
  • DE - Deutsch
  • FR - Français
  • ES - Español
  • PT - Português
S'abonner

Polin Sans

par Machalski
Styles individuels à partir de $39.00 USD
Famille complète de 40 polices: $499.00 USD
Polin Sans Font Poster 1 Polin Sans Font Poster 2 Polin Sans Font Poster 3 Polin Sans Font Poster 4 Polin Sans Font Poster 5 Polin Sans Font Poster 6 Polin Sans Font Poster 7 Polin Sans Font Poster 8 Polin Sans Font Poster 9 Polin Sans Font Poster 10
La famille de polices Polin Sans a été conçue par Ben Nathan, Mateusz Machalski et publiée par Machalski. Polin Sans contient 40 styles et options de package familial.

En savoir plus sur cette famille

Polin Sans Complete Family

 40 polices

Meilleure offre!

Par style :

$12.47 USD

Paquet de 40 styles:

$499.00 USD

Options d'achats
Voir 30 plus Voir moins

Polin Sans Basic

 6 polices

Par style :

$16.50 USD

Paquet de 6 styles:

$99.00 USD

Options d'achats
Ajouter à l'album
Ajouter aux favoris

Options de licence

À propos de la famille

For several years I have been thinking about the design of a type family that explores, on the one hand, the modernist aesthetic that we know, from the Alphabet "a.r." designed by Władysław Strzemiński, and on the other, to the multiscript pre-war Warsaw. This is how the idea of creating the Polin Sans typeface was born. After researching on geometric variants of the Cyrillic alphabet, I was inspired by the text "Towards an open layout: A letter to Volodya Yefimov". I was intrigued by the fact that circular forms, which we are mostly familiar with in the Bulgarian Cyrillic, can be implemented in the classical version, without disrupting the reading process. At the same time, while working on typoteka.pl, I was fascinated by the Hebrew typeface jaffa, published by the Idźkowski & Sk-a foundry, which at some points looks like the Hebrew equivalent of the Alphabet "a.r.". Ben Nathan from Israel joined the project and was responsible for creating his native script. The idea of creating a multiscript family expanded to include Greek and Vietnamese. As a result, Polin Sans is a historical journey through the nooks and crannies of Polish modernism, which was created by people with diverse cultural backgrounds. The Polin Sans family was designed by Mateusz Machalski and Ben Nathan with the support of Michał Gorczyca and Małgorzata Bartosik.

Concepteurs: Ben Nathan, Mateusz Machalski

Éditeur: Machalski

Fonderie: Machalski

Maître d'ouvrage: Machalski

MyFonts débout: Jan 2, 2024

Polin Sans

À propos Machalski

Dr hab. Mateusz Machalski, Associate Professor (b. 1989) – Vice-Rector for Artistic Affairs at the Academy of Fine Arts in Warsaw. Designer, typographer, lecturer and researcher specializing in visual communication and graphic design. He graduated with Rector’s Honours from the Faculty of Graphic Arts at the Academy of Fine Arts in Warsaw (2009–2014), where he currently teaches at the Multimedia Artistic Creation Studio. Named Designer of the Year 2019 at the Polish Graphic Awards, he has been repeatedly awarded in national and international competitions, including KTR, Ascender 2018 – Type Directors Club New York, MUSTHAVE, The DieLine, Red Dot Design, The Best of Design 2018 – Klub Twórców Reklamy, and Animator 2020 – DESIGN ALIVE. He is a five-time recipient of the Polish Ministry of Culture’s scholarship, a laureate of the Ministry of Science and Higher Education’s scholarship for outstanding young researchers, and of the “Young Poland” programme by the National Centre for Culture. He was awarded the Centennial of Regained Independence Medal by the President of Poland. He is a curator and member of the programme board of the International Poster Biennale in Warsaw, and Art Director of the magazines newonce paper and Warsawholic. He has created more than 80 typeface families – including numerous corporate and multi-script designs – and over 200 visual identities for companies, institutions and cultural events. His fonts are distributed through platforms such as Google Fonts, Adobe and Monotype, and his clients include leading Polish and global brands. He has led teams digitizing key works of Polish typography, including “Półtawski Nowy”, “BRYGADA 1918” (launched at the Presidential Palace), and carried out the long-term “Bona Nova” project together with Andrzej Heidrich – the designer of Polish banknotes. He co-created Typoteka – the first Polish index of typography (1474–2024). Co-founder of the first Polish type foundry – Capitalics. He is also the author of numerous texts, articles and exhibitions on graphic design and visual culture, as well as the “Creative Typography” course published by Design Practice. He conducts research projects, workshops and lectures at universities and conferences in Poland and abroad.

En savoir plus

Lire moins