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Porito Grande

par Nasir Udin
Styles individuels à partir de $19.00 USD
La famille de polices Porito Grande a été conçue par Nasir Udin, Haidi Shabrina et publiée par Nasir Udin. Porito Grande contient 1 styles. En savoir plus sur cette famille

À propos de la famille


Porito Grande complements its precursor—the Porito typeface. It's an ultra-bold, ultra-chunky display typeface that oozes retro character and modern playful energy. Built with massive, thick-set letterforms, this font pushes the boundaries of negative space, resulting in an eye-catching, interlocking aesthetic where letters seem to seamlessly puzzle together.

The font leans heavily into a vintage 1970s aesthetic, reminiscent of classic funk, groovy posters, and bold lifestyle branding. The letters are designed with near-zero negative space in mind, making them ideal for tightly tracked headlines, logos, and packaging design where the type itself is the graphic element.

This typeface is an absolute powerhouse for display use. It is perfect for bold branding, editorial headlines, merchandise design, retro-inspired poster art, album covers, and food packaging that demands a friendly, loud, and unforgettable visual presence.

Furthermore, with an extended Latin character set, Porito Grande supports over 200 Latin-based languages, ensuring its broad applicability across diverse themes and styles. This font family is perfect for enhancing visual identity and creating impactful designs.

Concepteurs: Nasir Udin, Haidi Shabrina

Fonderie: Nasir Udin

MyFonts débout: Jun 23, 2026

Porito Grande

À propos Nasir Udin

Before he got into type design, he had designed travel posters under the Vectro label. His illustrative style is an impression of similar posters from the mid 20th century. As a designer, he enjoy looking to both the past and the future for inspiration. That's why he love to blend a retro style with a futuristic concept. He started type design on 2016 as his side project, before he take it seriously. You can follow @studio.nasir on Instagram, he loves to capture a lettering on old buildings (Dutch, Chinese, Arabic, blend with the local Javanese).

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