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Qebica

par Maikohatta
Styles individuels à partir de $15.00 USD
La famille de polices Qebica a été conçue par Gilang Ternadho et publiée par Maikohatta. Qebica contient 1 styles. En savoir plus sur cette famille

À propos de la famille


Introducing our new product Qebica – Arabic Decorative Slab Serif Qebica is a bold and distinctive Arabic decorative slab serif typeface that blends the strength of classic slab serif structures with ornamental elements inspired by Arabic calligraphy. Designed with powerful curves, rounded terminals, and strong geometric proportions, this font delivers a unique cultural character while maintaining modern readability. Perfect for logos, branding, packaging, posters, headlines, editorial layouts, social media graphics, and display purposes, Qebica brings an elegant Middle Eastern aesthetic with a contemporary slab serif twist. Its thick strokes and decorative details make it ideal for projects that need a strong visual presence while still feeling artistic and refined.

Concepteurs: Gilang Ternadho

Fonderie: Maikohatta

MyFonts débout: Mar 6, 2026

Qebica

À propos Maikohatta

Embark on a typography exploration guided by Maikohatta, a seasoned authority in the intricate realm of visual communication. With a steadfast commitment to precision and meticulousness, Maikohatta's expertise shines through.In Maikohatta's interpretation, typography transcends the mere arrangement of letters; it metamorphoses into a harmonious fusion of visual artistry and practicality. Each typeface, whether thoughtfully selected or uniquely crafted, contributes as a distinctive stroke in the broader narrative canvas. Typography, in my view, extends beyond mere legibility, it is a means of evoking emotional connections that linger in the observer's memory.My forte lies in versatility. Whether blending refined serifs for enduring elegance, exploring avant-garde sans-serifs for contemporary appeal, or fashioning bespoke scripts for a personal touch, I navigate the expansive typographic domain with finesse.Beyond fonts and letterforms, I excel in constructing typographic systems that establish hierarchy, rhythm, and visual coherence. The outcome is a seamless fusion of aesthetics and utility, where each typographic decision serves a deliberate role in the grand orchestration of design.

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