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Rot

par MKGD
Styles individuels à partir de $13.75 USD
La famille de polices Rot a été conçue par Michael Kovacevich et publiée par MKGD. Rot contient 1 styles.

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À propos de la famille


Rot is clunky, clumsy, and utilitarian. It comes straight from a second rate oracle’s prognostications of a not-so-distant dystopian future. A place where film noir meets twenty first century computer cards; and rainy melancholy nights meet global warming. It speaks of a world that welcomes everyone; provided that they are romantically inclined to living life at the short end of the stick. Metaphorically, Rot is a shot of hard liquor served in a dirty glass.


Rot has a glyph count of 388 and supports the following languages


Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Concepteurs: Michael Kovacevich

Éditeur: MKGD

Fonderie: MKGD

Maître d'ouvrage: MKGD

MyFonts débout: Jan 30, 2023

Rot

À propos MKGD

My name is Michael Kovacevich and I run MKGD Font Foundry. I’ve been a professional graphic designer for the better part of three decades. I’ve freelanced, worked in various studios, and in the art departments of garment industries. During that time I, like most designers, have dealt with type on a daily basis. I’ve set, kerned, tracked, bastardized and hand lettered type of all kinds over those many years. These days however, I’ve decided to bring my experience to bear on the designing of typefaces. I like to think of it as distilling my years of experience into something that anyone with a creative interest could utilize. During the course of my efforts, I hope people will find my work as interesting for them to use, as it is for me to produce.

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