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Slowglass

par Adam Jagosz
Styles individuels à partir de $49.00 USD
Famille complète de 30 polices: $49.00 USD
La famille de polices Slowglass a été conçue par Adam Jagosz et publiée par Adam Jagosz. Slowglass contient 30 styles et options de package familial.

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À propos de la famille


Slowglass is a geometric semi-serif accompanied by geohumanist italics. Softly rounded edges lend it a friendly tone. The typeface includes two categories of stylistic alternates, available as font features as well as complementary font subfamilies. Text forms for increased legibility (Slowglass Text) and uncial-inspired unicase variants (Slowglass Alt). At over 1500 glyphs per weight, the fonts support 80+ Latin-based languages (incl. Vietnamese), 14 Cyrillic-based languages and polytonic Greek.

OpenType features:

  • Six sets of figures: proportional / tabular × oldstyle / lining / petite (ss20)
  • Superscript and subscript figures
  • Fractions, numerators, denominators
  • Optional slashed zero
  • Case-sensitive forms
  • Glyph composition/decomposition (support for Navajo and Greek)
  • Localization (Dutch, Marshallese, Bulgarian)

Stylistic Sets:

  • ss01 Roman: Two-story a, loopy α / Italic: Loopy α
  • ss02 Roman: Simple g / Italic: Simple k
  • ss03 Unicase r
  • ss04 Alt f t г п т γ
  • ss05 Descending η χ
  • ss06 Unicase β ζ θ ξ
  • ss07 Alt в г д ж з к п т ю
  • ss08 Latinized ς, cursive и й
  • ss09 Round Δ Λ Д д Л л Љ љ
  • ss10 Full-stem a q
  • ss11 Seriffed I
  • ss12 Unicase A
  • ss13 Unicase E Ω
  • ss14 Descending F T Г П
  • ss15 Descending G P Q Y
  • ss16 Unicase M N И H Y
  • ss17 Extending Φ Ψ
  • ss20 Petite figures

Concepteurs: Adam Jagosz

Éditeur: Adam Jagosz

Fonderie: Adam Jagosz

Maître d'ouvrage: Adam Jagosz

MyFonts débout: Feb 25, 2021

Slowglass

À propos Adam Jagosz

Adam Jagosz is a Poland-based type designer focused on holistic letterform exploration. His fascination with letters was born as soon as he first held a pen and was amplified through studying classical and modern calligraphy styles. Combined with a technical inclination, a flair for linguistics and attention to detail, it drove Adam to create unique and innovative typefaces of various genres, always with focus on coherent execution and broad language support.

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