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Super Puff MX

par Xuveki
Styles individuels à partir de $12.00 USD
Famille complète de 5 polices: $12.00 USD
La famille de polices Super Puff MX a été conçue par Abe Zeinali et publiée par Xuveki. Super Puff MX contient 5 styles et options de package familial.

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À propos de la famille


Super Puff MX is a Y2K inspired variable display typeface that takes from early 2000's futurism, pop, and cartoon aesthetics. Due to its heavy weight and alternates it offers, it's perfect for a variety of logos, 3D, and motion graphics.


SPMX was designed specifically for those use cases, and its wide range of styles and alternates gives you lots of freedom for creating unique graphics that still capture the same fun, futuristic, and playful early 2000's aesthetic.


Features & What's Included:


  • Variable font file that allows you to choose any slant degree from Regular to Full Tilt.
  • OTF font files in 4 styles or slants, from Regular to Full Tilt. This is included because many young, talented designers around the world don't have access to programs that can take advantage of a variable font. I want them to have the option of using properly slanted and kerned oblique instances of Super Puff.
  • Robust OpenType features including a vast pool of alternates and stylistic sets giving you lots of choices when choosing letters, numbers, and punctuation.
  • Two stylistic sets for letters and numbers
  • One stylistic set for punctuation and symbols
  • One stylistic set that replaces punctuation with Y2K style icons
  • Extensive Latin language support covering almost all of Europe and South America. All multilingual glyphs have access to alternates as well.


Super Puff MX was designed and developed by Abe Zeinali/Xuveki.


Concepteurs: Abe Zeinali

Éditeur: Xuveki

Fonderie: Xuveki

Maître d'ouvrage: Xuveki

MyFonts débout: Aug 17, 2021

Super Puff MX

À propos Xuveki

Abe Ahmadi is an Iranian-American artist and designer based in the US. Approaching art and design with a tendency to create everything from scratch and resulting in original works were always priorities. This led them to the exciting world of type design, where you have the privilege of creating the building blocks on which art, design, and communication are built upon. They've had fun with seven display type faces, and will be focusing on engineering multi-script, OT rich typefaces in the future.

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