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Superscience

par Storm Type Foundry
Styles individuels à partir de $39.00 USD
Famille complète de 98 polices: $489.00 USD
Superscience Font Poster 1 Superscience Font Poster 2 Superscience Font Poster 3 Superscience Font Poster 4 Superscience Font Poster 5 Superscience Font Poster 6 Superscience Font Poster 7 Superscience Font Poster 8 Superscience Font Poster 9 Superscience Font Poster 10 Superscience Font Poster 11 Superscience Font Poster 12 Superscience Font Poster 13 Superscience Font Poster 14 Superscience Font Poster 15
La famille de polices Superscience a été conçue par František Štorm et publiée par Storm Type Foundry. Superscience contient 98 styles et options de package familial.

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Superscience Complete Family

 98 polices

Meilleure offre!

Par style :

$4.98 USD

Paquet de 98 styles:

$489.00 USD

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À propos de la famille

A font drawn in a rounded rectangle looks modern – if we do not mind that it was in vogue mainly in the 80s of the last century and was created in the fifties, when various Italian designers noticed that the outline of a glass TV screen is actually the letter “o“. Since then, this progressive idea has undergone many improvements, which can be summarized in the notion of “popular-scientific typographic revival”. The present incarnation called “Superscience” has the advantage of having extreme variations and nicely simplified letters, as well as the usual repertoire of OTF functions and playful variations.

Concepteurs: František Štorm

Éditeur: Storm Type Foundry

Fonderie: Storm Type Foundry

Maître d'ouvrage: Storm Type Foundry

MyFonts débout: Apr 29, 2022

Superscience

À propos Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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