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TessieOddsNends™

par Ingrimayne Type
Styles individuels à partir de $9.00 USD
Famille complète de 2 polices: $10.00 USD
La famille de polices TessieOddsNends a été conçue par Robert Schenk et publiée par Ingrimayne Type. TessieOddsNends contient 2 styles et options de package familial.

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TessieOddsNends Complete Family

2 polices

Meilleure offre!

Par style :

$5.00 USD

Paquet de 2 styles:

$10.00 USD

À propos de la famille


A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. TessieOddsNEnds contains shapes that did not fit into the other Tessie fonts: TessieStandingBirds, TessieFlyingBirds, TessieMoreBirds, TessieXtraBirds, TessieSpinners, TessiePuzzlePieces, TessieAnimals, TessieBugs, TessieMiscellaneous, and TessieMoreStuff. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

Concepteurs: Robert Schenk

Éditeur: Ingrimayne Type

Fonderie: Ingrimayne Type

Maître d'ouvrage: Ingrimayne Type

MyFonts débout: Jan 18, 2019

TessieOddsNends™ is a trademark of Ingrimayne Type.

À propos Ingrimayne Type

IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.

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