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Trepa

par Tipo Pèpel
Styles individuels à partir de $22.00 USD
Famille complète de 3 polices: $47.00 USD
La famille de polices Trepa a été conçue par Josep Patau et publiée par Tipo Pèpel. Trepa contient 3 styles et options de package familial.

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Trepa Full Family

3 polices

Meilleure offre!

Par style :

$15.66 USD

Paquet de 3 styles:

$47.00 USD

À propos de la famille


From time to time at Tipo Pèpel we like to play like children and get our hands dirty with whatever implement that can be used to mark or draw on the walls, even if the grown-ups don’t like it. And this is more or less what happened with “Trepa” (catalan for “stencil”), a typeface with a fresh and uninhibited appearance, inspired by commercial signs and the 1950’s French art movement “Graphie Latine”. Far removed from the straight lines of vector art, “Trepa” has the necessary roughness to make this class of font stand out and what’s more it has an extensive range of latin characters covering more than 200 languages, and a pair of complementary texture fonts which further multiply its creative possibilities. If you want to protest with elegance, “Trepa” is your best choice.

Concepteurs: Josep Patau

Éditeur: Tipo Pèpel

Fonderie: Tipo Pèpel

Maître d'ouvrage: Tipo Pèpel

MyFonts débout: Sep 4, 2015

Trepa

À propos Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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