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WHAT SOUND POUNDS?

par The Fontry
Licences à partir de $5.00 USD
Famille complète de 13 polices: $5.00 USD
La famille de polices WHAT SOUND POUNDS? a été conçue par et publiée par The Fontry. WHAT SOUND POUNDS? contient 13 styles et options de package familial.

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WHAT SOUND POUNDS Family

13 polices

Meilleure offre!

  • WHAT SOUND POUNDS

  • WHAT SOUND POUNDS

  • WHAT SOUND SHADOWS

  • WHAT SOUND SHADOWS

  • WHAT SOUND SHADOWS Bold

  • WHAT SOUND SHADOWS Bold

  • WHAT SOUND SHADOWS Italic

  • WHAT SOUND SHADOWS Italic

  • WHAT SOUND XTENDS

  • WHAT SOUND XTENDS

  • WHAT SOUND XTSHADS

  • WHAT SOUND XTSHADS Bold

  • WHAT SOUND XTSHADS Italic

Par style :

$0.38 USD

Paquet de 13 styles:

$5.00 USD

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À propos de la famille


You'll want to call it many things. You'll swear it's a sport font in distress. You'll imagine it emblazoned on the flanks of battered starships. You'll wonder what niche, what genre it was ever meant to occupy. Is it a display font? Text? Is that a noise in your ear? A sounding pound against your thoughts? Ask what you think of that sound and it's potential to melt you where you stand, and you'll find this very font staring back on you. After a long, hot summer, this genre-siphoning face has finally been upgraded. WHAT SOUND POUNDS? is a family of 4 fonts now, with the addition of an extended version and two contoured drop shadow flavors that are guaranteed to leave you picking at your pieces. A layering feature, accessed by switching between Bold and Italic Styles, allows for instant color effects. And there's been some complaints about the "parasites" growing off the sides of only 3 of the uppercase letters. Those who hate them want them gone. Those who like them want more. Both camps can now find satisfaction. Using OpenType Features or your Character Map will allow you to pick and choose the style you want.

Concepteurs:

Éditeur: The Fontry

Fonderie: The Fontry

Maître d'ouvrage: The Fontry

MyFonts débout: Mar 4, 2009

WHAT SOUND POUNDS?

À propos The Fontry

When foundry's were making steel and fonts were but a molten dream ... well, we don't go that far back! But that's how we came up with the name for The Fontry. Spun into existence in 1992 by James L. Stirling and Michael Gene Adkins, The Fontry owes its origins to lots and lots of years working around screenprint shops and the signmaking business, influences that translate clearly into our font designs. It stands to reason then that many of our typographic efforts reflect the needs of those industries. Not ones to wimp around with frilly type, many of our fonts exude the strength you've come to expect from any font that dares to call itself a display face. No typesetting lots of tiny text with any of our fonts! And our inspiration covers the gamut, from full-on customs to period revivals. But no matter the origins, we pride ourselves on taking care of the details, from the nudge-fussiest node positioning to the single-digit kerning adjustments. Every Fontry font has over 40 hours of work in it, and we like to think it shows. At least we hope it shows--really! So for fonts that really fill the space, we're the foundry guys you wanna try!

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