Ignorer et passer au contenu
Accéder au contenu principal

Worthington Arcade

par Device
Styles individuels à partir de $39.00 USD
La famille de polices Worthington Arcade a été conçue par Rian Hughes et publiée par Device. Worthington Arcade contient 1 styles.

En savoir plus sur cette famille

À propos de la famille


Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates. It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface. The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E. Includes old-style numerals.

Concepteurs: Rian Hughes

Éditeur: Device

Fonderie: Device

Maître d'ouvrage: Device

MyFonts débout: Nov 17, 2018

Worthington Arcade

À propos Device

Device Fonts is the font arm of Rian Hughes’ Device studio, based in West London. An early contributor to FontShop’s FontFont range, Device Fonts was launched in 1997 to carry Hughes’ growing library. It has since released over 250 original typefaces covering more than 1500 individual weights, including custom designs for clients as diverse as Mac User, 2000AD and The Teenage Mutant Ninja Turtles. Rian studied at the London College of Communication in London before working for an advertising agency, Smash Hits, i-D magazine and a series of record sleeve design companies. Under the studio banner Device, he now provides design, custom type and illustration for advertising campaigns, record sleeves, book jackets, graphic novels and television. He has designed posters for Tokyo fashion company Jun Co.’s Yellow Boots chain, the animated on-board safety film for Virgin Airlines, Eurostar’s poster campaign, a collection of Hawaiian shirts, a range of watches for Swatch, an award-winning brochure for MTV Europe’s Music Awards, and numerous book jacket illustrations and CD covers. He has designed hundreds of logos for DC, Marvel, Valiant, Image and other comic book companies for such titles as Batman, the X-Men, James Bond, The Avengers and Spider-Man. Long connected with the world of comics, Rian Hughes' first graphic novel was The Science Service for Belgian publisher Magic Strip. This was followed by Dare for IPC’s short-lived Revolver, an “iconoclastic revamp of the ’50s comic hero Dan Dare”, written by Grant Morrison. His strips from the Galaxy’s Greatest have been collected in Yesterday’s Tomorrows (Dare, Really and Truly plus others) and Tales from Beyond Science (written by Mark Millar, John Smith and Alan McKenzie). More recently he wrote and drew a Batman: Black and White tale, contributed to Vertigo: Magenta, designed the map of the DC Multiverse and was reunited with Morrison for several stories in Heavy Metal magazine. He has contributed to numerous international exhibitions, lectured widely both in the UK and internationally, and a one-man show of his work was held in 2003 the Conningsby Gallery, London. A retrospective monograph, Art, Commercial was published in 2002, and Ten Year Itch, a celebration of the first ten years of Device Fonts, was published in 2005. Other books include https://www.amazon.co.uk/Typodiscography-Rian-Hughes/dp/1910870048">Typodiscography , Custom Lettering of the 20s and 30s, and the all-ages wordless graphic novel I Am A Number. Soho Dives, Soho Divas collects his burlesque drawings, and he sets out his memetics manifesto in Cult-Ure: Ideas Can Be Dangerous. A collection of his logo designs, https://www.amazon.co.uk/Logo-gogo-Branding-Pop-Culture/dp/0993337422">Logo a Gogo was released in 2018 by Korero Press. More recently he has published three novels which incorporate design and typography as an integral part of the narrative: XX, The Black Locomotive and The Absence. He has an extensive collection of Thunderbirds memorabilia, a fridge full of vodka, and a stack of easy listening albums which he plays very quietly. The Premium foundry page can be viewed Here.

En savoir plus

Lire moins