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FF Absara®

par FontFont
Styles individuels à partir de $55.99 USD
Famille complète de 10 polices: $471.99 USD
La famille de polices FF Absara a été conçue par Xavier Dupré et publiée par FontFont. FF Absara contient 20 styles et options de package familial.

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Par style :

$29.49 USD

Paquet de 2 styles:

$58.99 USD

À propos de la famille


French type designer Xavier Dupré created this serif and slab FontFont in 2004. The family has 10 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Absara provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2005, FF Absara received the TDC2 award. This FontFont is a member of the FF Absara super family, which also includes FF Absara Headline, FF Absara Sans, and FF Absara Sans Headline.

Concepteurs: Xavier Dupré

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Dec 30, 2004

FF Absara® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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