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FF Kaytek™ Headline

par FontFont
Styles individuels à partir de $50.99 USD
Famille complète de 7 polices: $104.99 USD
La famille de polices FF Kaytek Headline a été conçue par Radek Łukasiewicz et publiée par FontFont. FF Kaytek Headline contient 7 styles et options de package familial.

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À propos de la famille


Kaytek™ Headline completes the Kaytek typeface family with seven weights optimized for display purposes. Like the Kaytek Sans it is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design Every style of the typeface takes up exactly the same amount of space, thanks to the careful creation by Radek Lukasiewicz. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style Kaytek Headline comes in seven weights, from Thin to ExtraBlack. Kaytek Sans, Kaytek Slab, and Kaytek Rounded, are also available.

Concepteurs: Radek Łukasiewicz

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Aug 4, 2020

FF Kaytek™ Headline is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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