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FF Meta® Correspondence

par FontFont
Styles individuels à partir de $97.99 USD
Famille complète de 4 polices: $218.99 USD
La famille de polices FF Meta Correspondence a été conçue par Ole Schäfer, Erik Spiekermann et publiée par FontFont. FF Meta Correspondence contient 4 styles et options de package familial.

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À propos de la famille


German type designer Erik Spiekermann created this sans FontFont between 1997 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding and creative industries. FF Meta Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Headline, and FF Meta Serif.

Featured in: Best Fonts for Cover Letters

Concepteurs: Ole Schäfer, Erik Spiekermann

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Jan 1, 2000

FF Meta® Correspondence is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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