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Gorgonzola Gothic

par The Ampersand Forest
Styles individuels à partir de $20.00 USD
25% Off
Famille complète de 30 polices: $400.00 USD
La famille de polices Gorgonzola Gothic a été conçue par DC Scarpelli et publiée par The Ampersand Forest. Gorgonzola Gothic contient 30 styles et options de package familial.

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À propos de la famille


Gorgonzola Gothic is a geometrically-inspired gothic sans serif family that's robust and versatile. Inspired by the geometric quirkiness of IxD (also by The Ampersand Forest), Gorgonzola Gothic expands into a thirty-style family that works for everything from branding to text.


It further mitigates IxD's quirkiness by offering two options in the round and shouldered lowercase glyphs. The standard letterforms, like IxD, have notched joins, giving them an assertive, almost futuristic look. The alternates of those letterforms (housed in Stylistic Set 01, and available as immediate hoverable glyph options in the Adobe Suite) are more conventional (as are the SS01 ampersand, Q, S, a, and s).


In this way, Gorgonzola Gothic offers the best of both worlds: a flavorful, slightly futuristic family (in the same world as geometric classics like Eurostile) and a workhorse gothic sans (like the Benton classics Franklin Gothic, News Gothic, etc.). Its three widths: Skinny, Slim, and Standard, give it a wide range of applications, from display to body.


Gorgonzola Gothic makes a statement with strength and sureness.

Concepteurs: DC Scarpelli

Éditeur: The Ampersand Forest

Fonderie: The Ampersand Forest

Maître d'ouvrage: The Ampersand Forest

MyFonts débout: Feb 14, 2022

Gorgonzola Gothic

À propos The Ampersand Forest

The Ampersand Forest is DC Scarpelli. And probably vice versa. I am a wholly inveterate Type Nerd. I’ve been in love with letterforms my whole life, and, for 16 years, I taught type history, type design, and typography as a college professor. Type is voice, and I love giving people a voice. A variety of voices, actually, so that they can choose whichever one is best for them for a particular context. And I don’t just mean designers, either! Type’s for everyone, and every typeface has a purpose and context.For me, deliciousness—flavor—is key. Not all type has to be “good type,” whatever that means. It should be designed with thought and care and craft. It should be supremely usable. But it should aim beyond usability toward (trust me: this is the right word) yumminess.

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