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Polar

par Daniel Uzquiano
Styles individuels à partir de $35.00 USD
Famille complète de 11 polices: $199.00 USD
La famille de polices Polar a été conçue par Daniel Uzquiano et publiée par Daniel Uzquiano. Polar contient 11 styles et options de package familial.

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À propos de la famille


Polar is a versatile sans-serif grotesk typeface distinguished by its characteristic ink traps and rounded vertexes. Designed as a variable font, it offers a weight range from 200 to 900, making it adaptable for a wide array of design applications.

The typeface includes five predefined instances: Thin Display, Light, Regular, Bold, and Heavy Display, each available in both regular and italic styles. With 716 glyphs per style, Polar provides extensive language support, covering Latin and Central European characters, and supports 101 languages.

Polar is equipped with 25 OpenType features, including ligatures, fractions, stylistic alternates, localized forms, and old-style figures, enhancing its functionality and typographic richness.

Its clean and neutral design makes Polar suitable for long-form text, ensuring readability and comfort. Simultaneously, its distinctive features shine in display settings, particularly in all-caps headings, where the thin and heavy weight variants create striking visual impact.

Whether you're designing editorial content, branding materials, or digital interfaces, Polar's modern elegance and adaptability make it a reliable choice for diverse typographic needs.

Concepteurs: Daniel Uzquiano

Éditeur: Daniel Uzquiano

Fonderie: Daniel Uzquiano

Maître d'ouvrage: Daniel Uzquiano

MyFonts débout: Mar 12, 2019

Polar

À propos Daniel Uzquiano

I am a graphic designer specialized in typography and interaction. I am holding a Master's in Typography from the University of Barcelona (UB). During the master's degree in 2010, among other things, I developed an interest in the patterns that a letter must have to be recognized as such.In this sense, I incorporated into my work programming to randomly combine strokes and shapes from essential elements of ancient calligraphic models with the aim of exploring the border area between the letter and the doodle. Far from obtaining simple meaningless scribbles, I came to obtain some semantic forms different from those proposed by the calligraphic model that serves as a reference.Since then, I became more interested in creative coding as a means of artistic creation.Some of the fonts I have designed in recent years are Goma Mono, Polar and Dinosaur.

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