À propos de la famille
Sevigne [sey-vee-nyey] is a highly refined, contemporary geometric stencil, inspired by the ambience of high-end fashion and luxury combined with the raw, utilitarian nature of the stencil. The inclusion of over 130 unique ligatures expand it’s sensibility of alluring, well-balanced letterforms and distinctive style. The stencil marks are atypically placed and vary throughout, giving it a purposely forward presence.
Stylistically, as an all-caps typeface, Sevigne exudes a greater sense of harmony and polish due to it’s unicase form where the interplay of a limited amount of characters is the focus. Subtle, considered details are found within individual letters, contrasted by the complex, intersecting forms that make up the various ligatures.
With multiple stylistic sets added to the expanded ligatures, individual letters and ligature pairs can be carefully exchanged to fine-tune text settings for a unique custom type solution.
Features include:
Precision kerning-
Expanded set of over 130 Ligatures, including alternates (ae, oe, fi, fl, ffi, ffl, ffj, ff, fh, fj, ft, tt, th, ct, st, oo, og, go, ogo, gog, la, ea, ev, ew, fy, ez, et, oc, ga, do, uv, vu, yu, uy, nn, mm, xy, yx, ao, oa, ac, da, aq, nt, aa, ll, ss, ut, tu, ka, ca, ag, of, off, co, ne, nr, nl, nd, nk, hn, mn, me, mp, al, an, af, ar, ak, ah, ad, ab, and, gg, all, co, ço, he, the, tl, tn, tf, tr, tk, td, tb, te, am, ame, amb, tm, ap, tp, wu, uw, kt, tz, ra, za, mk, xx, yy, vv, ww, ky, fu, oq, cc, cq)
Alternate characters (A, G, R, Q, _, $, ®, •, ¶)
Slashed zero
Full set of numerators/denominators
Automatic fraction feature (supports any fraction combination)
Extended language support (Latin-1 and Latin Extended-A)
*Requires an application with OpenType and/or Unicode support.
Sevigne ST
À propos Reserves
Reserves is an independent type practice focused on a library of designs spanning structured, utilitarian forms and experimental, expressive styles. The collection includes condensed sans-serifs, modular stencils, geometric constructions, and idiosyncratic display faces, often shifting between clarity and graphic intensity. Some families emphasize versatility and restraint, while others explore unconventional rhythms and contrast. The library documents a formative period of independent exploration in typography.
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