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FF Mark®

par FontFont
Styles individuels à partir de $53.99 USD
Famille complète de 61 polices: $988.99 USD
La famille de polices FF Mark a été conçue par Hannes von Döhren, Christoph Koeberlin, FontFont Type Department et publiée par FontFont. FF Mark contient 61 styles et options de package familial.

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FF Mark Complete Family Pack

61 polices

Meilleure offre!

Par style :

$16.21 USD

Paquet de 61 styles:

$988.99 USD

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À propos de la famille


German type designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department created this sans FontFont in 2013. The family contains 10 weights from Hairline to Black and is ideally suited for film and TV, advertising and packaging, editorial and publishing, logo, branding, music and nightlife, software and gaming, sports as well as web and screen design. FF Mark provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.

Concepteurs: Hannes von Döhren, Christoph Koeberlin, FontFont Type Department

Éditeur: FontFont

Fonderie: FontFont

Maître d'ouvrage: FontFont

MyFonts débout: Sep 26, 2013

FF Mark® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos FontFont

FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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