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Aeroport

por Brownfox
Estilos Individuais a partir de $54.00 USD
Família completa com 11 fontes: $340.00 USD
A família de fontes Aeroport foi desenhada por Gayaneh Bagdasaryan, Vyacheslav Kirilenko e publicada pela Brownfox. Aeroport contém 11 estilos e opções de pacote familiar.

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Aeroport is a new typeface in the spirit of both German geometric sans serifs and Swiss neogrotesques. Its deliberately wide proportions and relatively short capitals account for the excellent way the type carries the line. Its short ascenders and descenders allow for very tight leading. When used in large point sizes, Aeroport reveals its industrial ancestry and its unconventional design: the somewhat unbalanced top of the lowercase a, the capital B that has deliberately not been compensated optically, the overly wide capital M. In smaller sizes the type creates a starkly different effect: its measured widths and low contrast make a text setting appear neutral and homogenous. This versatility is what makes Aeroport a multipurpose sans serif suitable for a wide variety of typographic applications. The family includes four weights with their italics and a monospased style. Character set includes an alternate lowercase a, two sets of figures and currency symbols, uppercase punctuation, and a set of arrows. Includes Latin and Cyrillic sets supporting over forty languages. Designed by Gayaneh Bagdasaryan & Vyacheslav Kirilenko, 2017.

Designers: Gayaneh Bagdasaryan, Vyacheslav Kirilenko

Publicador: Brownfox

Fundidoras: Brownfox

Fundição Original: Brownfox

Proprietário do design: Brownfox

Estreia na MyFonts: Apr 25, 2017

Aeroport

Sobre Brownfox

Independent type foundry Brownfox offers a fresh perspective on Latin and Cyrillic fonts. We have a solid track record with text fonts optimised for on-screen reading, as well as with print fonts. Our work is firmly rooted in the typographic tradition, yet is unmistakably current. We aspire to create fonts of the highest degree of craftsmanship and up to the latest technical standards. The outcome that we pursue in our work – to augment familiar with something new. The most important thing for us is to find a new, bright, compelling and unique character of typefaces. One of the challenges here is to stay within the group of typefaces, called workhorses, fonts that cover a broad range of application areas. Principals: Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

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