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CLANDESTINA

por deFharo
Licenças a partir de $26.00 USD
Família completa com 2 fontes: $26.00 USD
A família de fontes CLANDESTINA foi desenhada por Fernando Haro e publicada pela deFharo. CLANDESTINA contém 2 estilos e opções de pacote familiar. Saiba mais sobre esta família

Clandestina

2 fontes

Melhor Valor!

  • Clandestina

  • Clandestina SC

Por Estilo:

$13.00 USD

Pacote de 2 estilos:

$26.00 USD

Sobre a família


Two sans serif extra condensed fonts, small caps, solid and eroded, combinable with each other by layers to create purely typographic titles in two colors. Clandestine copies derived from my previous font sans serif H.H. Samuel, i have reviewed and optical corrections applied in all characters and I set the kerning completely after creating the small caps versions of the original lowercase letters and numbers. ==================== The Commercial version includes: - 2 fonts (solid & eroded). 403 glyphs. Latin Extended-A • OTF & TTF - Clandestina fonts can be used unlimited for both Commercial and Personal projects. - The download file includes a PDF with the specimen sheet of typography. - Includes a simplified version without diacritical accents for the English language. - OpenType features compatible with: Photoshop, Illustrator, QuarkXpress, Indesign. - OpenType Functions: Small Capitals, Oldstyle Figures, All Alternates, Additional languages, Capital Spacing, Superior letters, Standard Ligatures, Slashed Zero, Discretionary Ligatures, Ordinals, Numerators, Numbers Small Caps, Localized Forms, Kerning. - Bitcoin symbol: b# (ligatures)

Designers: Fernando Haro

Fundição: deFharo

Estreia na MyFonts: Jul 19, 2017

CLANDESTINA

Sobre deFharo

deFharo is the independent type foundry of Spanish graphic and type designer Fernando Haro. With more than 30 years of experience in graphic and advertising design and over a decade devoted to typeface design, Fernando Haro has developed an eclectic body of work that ranges from editorial and corporate typefaces to expressive display, geometric, technological, retro and experimental designs. His approach combines visual character with typographic functionality. Every typeface begins with drawing, proportion and a clear visual idea, and evolves through meticulous work on spacing, metrics, kerning, optical corrections and OpenType features. Rather than following a single recognizable style, deFharo explores different typographic territories according to the personality and purpose of each project. Some families are designed for long-form reading and editorial systems; others are built for branding, headlines, packaging, signage or highly expressive graphic compositions. A strong interest in vector drawing, typographic systems and functional design runs throughout the collection. Alternative characters, small caps, Petite Caps, fractions, numerals, ligatures, symbols and extended language support are frequently developed as integral parts of the typeface rather than as afterthoughts. The result is a growing collection of typefaces designed to be both distinctive and useful — fonts with personality, but also with the technical precision required for professional graphic and editorial work. deFharo typefaces are designed by Fernando Haro and published independently from Spain.

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