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Gans Ibarra

por Intellecta Design
Estilos Individuais a partir de $22.00 USD
Família completa com 4 fontes: $115.00 USD
A família de fontes Gans Ibarra foi desenhada por Carlos Winkow, Paulo W e publicada pela Intellecta Design. Gans Ibarra contém 4 estilos e opções de pacote familiar. Saiba mais sobre esta família

Sobre a família


The Elzeviriano Ibarra or 'Ibarra Gans' was a typography engraved by Carl Winkow in 1931 to Fundición Gans commemorating 50 years since the foundation thereof. It is designed to be used in the book-homage

The Maestro Joaquín Ibarra

. This type is a combination of the printers selected by Joaquín Ibarra, Spanish printer and typographer and Ezelvir family types, hence its compound classification. Gans Ibarra, designed in 2006 by Paulo W follow the concepts from the original designs from Fundicion Gans. See also other font families inspired by Gans' original typefaces:

Gans Tipo Adorno

,

Gans Lath Modern

and

Gans Titular Adornada

and

Gans Antigua

.

Designers: Carlos Winkow, Paulo W

Fundição: Intellecta Design

Estreia na MyFonts: Sep 6, 2006

Gans Ibarra

Sobre Intellecta Design

Intellecta Design is a distinguished Brazilian typefoundry committed to typographical research and the revival of ancient typefaces and handwriting styles. By delving into historical churches, museums, antiquaries, and similar institutions, Intellecta Design crafts unique fonts inspired by old books and documents. The foundry boasts an extensive collection of rare catalogues and books from the 16th to 19th centuries, serving as invaluable resources for digitizing lost fonts and uncommon handwriting script models. This level of research is exceptional in Brazil, distinguishing Intellecta Design within the industry. Furthermore, the talented design team at Intellecta Design develops innovative and modern typefaces suitable for a diverse array of applications. The foundry proudly claims to be the creator and owner of the largest typeface library in Latin America, solidifying its status as a key player in the typographic landscape.

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